{"id":9497,"date":"2018-01-23T10:35:56","date_gmt":"2018-01-23T09:35:56","guid":{"rendered":"https:\/\/couleursjazz.fr\/site\/?p=9497\/"},"modified":"2018-02-08T15:46:33","modified_gmt":"2018-02-08T14:46:33","slug":"academie-du-jazz-palmares-2017","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/academie-du-jazz-palmares-2017\/","title":{"rendered":"Acad\u00e9mie du Jazz &#8211; Palmar\u00e8s 2017"},"content":{"rendered":"<p>@Photos pour Couleurs Jazz, Patrick Martineau.<\/p>\n<h3>Dans le cadre du Pan Piper, Fran\u00e7ois Lacharme pr\u00e9sidait la c\u00e9r\u00e9monie de remise des prix, d\u00e9cern\u00e9s aux meilleurs artistes et productions musicales du jazz. Devant les personnalit\u00e9s de la musique jazz et des medias, d\u00e9couvrons les vainqueurs r\u00e9compens\u00e9s par l&rsquo;institution historique depuis 1955.<\/h3>\n<ol>\n<li>\n<h3><strong>Prix Django Reinhardt<\/strong> \u2013 musicien fran\u00e7ais de l&rsquo;ann\u00e9e<\/h3>\n<\/li>\n<\/ol>\n<p><strong>CECILE McLORIN SALVANT<\/strong><\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2017\/12\/cecile-2CJ.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9321\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2017\/12\/cecile-2CJ.jpg\" alt=\"\" width=\"900\" height=\"578\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2017\/12\/cecile-2CJ.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2017\/12\/cecile-2CJ-300x193.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2017\/12\/cecile-2CJ-768x493.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>Vincent Bourgeyx, Th\u00e9o Ceccaldi<\/strong><\/p>\n<ol start=\"2\">\n<li>\n<h3><strong>Grand Prix de l&rsquo;Acad\u00e9mie du Jazz<\/strong> \u2013 meilleur disque de l&rsquo;ann\u00e9e<\/h3>\n<\/li>\n<\/ol>\n<p><strong>CHRISTIAN McBRIDE BIG BAND <\/strong>\u00ab\u00a0<em>Bringin&rsquo;It<\/em>\u00a0\u00bb (Mack Avenue \/ Pias)<\/p>\n<div id=\"attachment_9484\" style=\"width: 910px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/CMc-Bride-5CJ-bis.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9484\" class=\"size-full wp-image-9484\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/CMc-Bride-5CJ-bis.jpg\" alt=\"\" width=\"900\" height=\"810\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/CMc-Bride-5CJ-bis.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/CMc-Bride-5CJ-bis-300x270.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/CMc-Bride-5CJ-bis-768x691.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><p id=\"caption-attachment-9484\" class=\"wp-caption-text\">avec Melissa Walker<\/p><\/div>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/TCwvg5DZWkk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Finalistes<\/p>\n<p><strong>Martial Solal<\/strong> &amp; <strong>Dave Liebman<\/strong> <em>\u00ab\u00a0Masters in Bordeaux\u00a0\u00bb (<\/em>Sunnyside \/ Socadisc<em>) <\/em><\/p>\n<p><strong>Vijay Iyer Sextet<\/strong><em> \u00ab\u00a0Far From Over\u00a0\u00bb<\/em> (ECM \/ Universal)<\/p>\n<ol start=\"3\">\n<li>\n<h3><strong>Prix du Disque Fran\u00e7ais<\/strong> \u2013 meilleur disque enregistr\u00e9 par un musicien fran\u00e7ais<\/h3>\n<\/li>\n<\/ol>\n<p><strong>LAURENT DE WILDE<\/strong> \u00ab\u00a0<em>New Monk Trio<\/em>\u00a0\u00bb (Gazebo \/ L&rsquo;Autre Distribution)<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/laurent-de-wilde-2CJ.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9485\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/laurent-de-wilde-2CJ.jpg\" alt=\"\" width=\"900\" height=\"637\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/laurent-de-wilde-2CJ.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/laurent-de-wilde-2CJ-300x212.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/laurent-de-wilde-2CJ-768x544.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>Andr\u00e9 Vill\u00e9ger \/ Philippe Milanta \/ Thomas Bramerie<\/strong><em> \u00ab\u00a0Strictly Strayhorn\u00a0\u00bb <\/em>(Camille Productions \/ Socadisc)<\/p>\n<p><strong>Herv\u00e9 Sellin Quartet<\/strong><em> \u00ab\u00a0Always Too Soon\u00a0\u00bb <\/em>(Cristal \/ Sony Music)<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li>\n<h3><strong>Prix du Musicien Europ\u00e9en<\/strong> \u2013 r\u00e9compens\u00e9 pour son \u0153uvre ou son actualit\u00e9 r\u00e9cente<\/h3>\n<\/li>\n<\/ol>\n<p><strong>SUZANNE ABBUEHL<\/strong><\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/susanne-abbuel-CJ-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9486\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/susanne-abbuel-CJ-2.jpg\" alt=\"\" width=\"900\" height=\"863\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/susanne-abbuel-CJ-2.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/susanne-abbuel-CJ-2-300x288.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/susanne-abbuel-CJ-2-768x736.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>Samuel Blaser, Andreas Scharrer<\/strong><\/p>\n<ol start=\"5\">\n<li>\n<h3><strong>Prix de la Meilleure R\u00e9\u00e9dition ou du Meilleur In\u00e9dit<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p><strong>THELONIOUS MONK<\/strong> \u00ab\u00a0<em>Les liaisons dangereuses 1960<\/em>\u00a0\u00bb (Sam Records \u2013 Saga \/ Pias)<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/Monk-CJ-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9487\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/Monk-CJ-2.jpg\" alt=\"\" width=\"900\" height=\"633\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Monk-CJ-2.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Monk-CJ-2-300x211.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Monk-CJ-2-768x540.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>&amp; <strong>LUCKY THOMPSON<\/strong> \u00ab\u00a0<em>Complete Parisian Small Group Sessions 1956-1959<\/em>\u00a0\u00bb (Fresh Sound \/ Socadisc)<\/p>\n<p>Finalistes<\/p>\n<p><strong>Woody Shaw &amp; Louis Hayes<\/strong><em> \u00ab\u00a0The Tour Volume Two\u00a0\u00bb <\/em>(HighNote)<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"6\">\n<li>\n<h3><strong>Prix du Jazz Classique<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>MICHEL PASTRE 5TET<\/strong> Featuring <strong>DANY DORIZ &amp; KEN PEPLOWSKI<\/strong> \u00ab\u00a0<em>Tribute to Lionel Hampton<\/em>\u00a0\u00bb (autoproduction)<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/pastre-CJ-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9488\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/pastre-CJ-2.jpg\" alt=\"\" width=\"900\" height=\"494\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/pastre-CJ-2.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/pastre-CJ-2-300x165.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/pastre-CJ-2-768x422.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>Pierre Christophe 4tet<\/strong><em> \u00ab\u00a0Tribute to Erroll Garner\u00a0\u00bb (<\/em>Camille Productions \/ Socadisc<em>)<\/em><\/p>\n<p><strong>Bill Charlap Trio<\/strong><em> \u00ab\u00a0Uptown, Downtown\u00a0\u00bb <\/em>(Impulse ! \/ Universal<em>) <\/em><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"7\">\n<li>\n<h3><strong>Prix du Jazz Vocal<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p><strong>KARIN KROG<\/strong> \u00ab\u00a0<em>The Many Faces of Karin Krog, Recordings 1967-2017<\/em>\u00a0\u00bb (Odin \/ Outhere)<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/karin-krog-3CJ-C-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9489\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/karin-krog-3CJ-C-2.jpg\" alt=\"\" width=\"900\" height=\"912\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/karin-krog-3CJ-C-2.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/karin-krog-3CJ-C-2-296x300.jpg 296w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/karin-krog-3CJ-C-2-768x778.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>M\u00e9lanie De Biasio<\/strong> \u00ab\u00a0<em>Lilies\u00a0\u00bb<\/em> (Le Label \/ Pias)<\/p>\n<p><strong>Lizz Wright<\/strong> \u00ab\u00a0<em>Grace<\/em>\u00a0\u00bb (Concord \/ Universal)<\/p>\n<ol start=\"8\">\n<li>\n<h3><strong>Prix Soul<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p><strong>THE COMO MAMAS<\/strong> \u00ab\u00a0<em>Move Upstairs<\/em>\u00a0\u00bb (Daptone \/ Differ-Ant)<\/p>\n<div id=\"attachment_9490\" style=\"width: 910px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/maxresdefault-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9490\" class=\"size-full wp-image-9490\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/maxresdefault-2.jpg\" alt=\"\" width=\"900\" height=\"506\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/maxresdefault-2.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/maxresdefault-2-300x169.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/maxresdefault-2-768x432.jpg 768w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/maxresdefault-2-800x450.jpg 800w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><p id=\"caption-attachment-9490\" class=\"wp-caption-text\">\u00a9 droits r\u00e9serv\u00e9s<\/p><\/div>\n<p>Finalistes<\/p>\n<p><strong>Don Bryant<\/strong><em> \u00ab\u00a0Don&rsquo;t Give Up On Love\u00a0\u00bb (<\/em>Fat Possum \/ Differ-Ant<em>)<\/em><\/p>\n<p><strong>Daniel Caesar<\/strong><em> \u00ab\u00a0Freudian\u00a0\u00bb (Golden Child)<\/em><\/p>\n<ol start=\"9\">\n<li>\n<h3><strong>Prix Blues<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p><strong>THORNETTA DAVIS<\/strong> \u00ab\u00a0<em>Honest Woman<\/em>\u00a0\u00bb (Sweet Mama Music)<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/t-davis-3CJ-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9491\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/t-davis-3CJ-2.jpg\" alt=\"\" width=\"900\" height=\"815\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/t-davis-3CJ-2.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/t-davis-3CJ-2-300x272.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/t-davis-3CJ-2-768x695.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>John Blues Boyd<\/strong><em> \u00ab\u00a0The Real Deal\u00a0\u00bb <\/em>(Little Village Foundation<em>)<\/em><\/p>\n<p><strong>Monster Mike Welch &amp; Mike Ledbetter<\/strong><em> \u00ab\u00a0Right Place, Right Time\u00a0\u00bb <\/em>(Delta Groove)<\/p>\n<p>&nbsp;<\/p>\n<ol start=\"10\">\n<li><strong>Prix du Livre de Jazz<\/strong><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>PIERRE FARGETON<\/strong> \u00ab\u00a0<em>Andr\u00e9 Hodeir, le jazz et son double\u00a0\u00bb<\/em> (Editions Sym\u00e9trie)<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/Ferjeton.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9492\" src=\"https:\/\/couleursjazz.fr\/site\/wp-content\/uploads\/2018\/01\/Ferjeton.jpg\" alt=\"\" width=\"900\" height=\"1271\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Ferjeton.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Ferjeton-212x300.jpg 212w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Ferjeton-768x1085.jpg 768w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/01\/Ferjeton-725x1024.jpg 725w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Finalistes<\/p>\n<p><strong>Ray Celestin<\/strong><em> \u00ab\u00a0Mascarade\u00a0\u00bb <\/em>(Le Cherche Midi)<\/p>\n<p><strong>Jacques Ponzio<\/strong><em> \u00ab\u00a0Ab\u00e9c\u00e9daire Thelonious Monk \/ ABC-Book\u00a0\u00bb <\/em>(Lenka Lente)<\/p>\n<p>(*) avec le soutien de la Fondation BNP Paribas<\/p>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/7F5FHFwcJn4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h3>Voici une playlist inspir\u00e9e par ce palmar\u00e8s 2017 de l&rsquo;Acad\u00e9mie du Jazz :<\/h3>\n<p><iframe loading=\"lazy\" style=\"width: 100%;\" src=\"https:\/\/play.soundsgood.co\/embed\/5a666a172ab2918d7d5083f4?\" width=\"100%\" height=\"850\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>@Photos pour Couleurs Jazz, Patrick Martineau. Dans le cadre du Pan Piper, Fran\u00e7ois Lacharme pr\u00e9sidait la c\u00e9r\u00e9monie de remise des prix, d\u00e9cern\u00e9s aux meilleurs artistes et productions musicales du jazz&#8230;.<\/p>\n","protected":false},"author":32,"featured_media":9482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[2847],"class_list":{"0":"post-9497","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"tag-academie-du-jazz-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/9497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=9497"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/9497\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/9482"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=9497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=9497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=9497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}