{"id":4808,"date":"2015-10-05T18:30:02","date_gmt":"2015-10-05T17:30:02","guid":{"rendered":"http:\/\/couleursjazz.fr\/fr\/?p=4808"},"modified":"2016-06-12T16:06:50","modified_gmt":"2016-06-12T15:06:50","slug":"jim-doxas-trio-blind-leap","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/jim-doxas-trio-blind-leap\/","title":{"rendered":"Jim Doxas Trio &#8211; Blind Leap"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/yd0fbLz38fs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><strong>Chaque mois ou presque,\u00a0<a href=\"http:\/\/www.sortiesjazznights.com\/\">sortiesJAZZnights.com<\/a><\/strong>,\u00a0\u00a0<strong>le site Qu\u00e9b\u00e9cois du Jazz et Couleurs Jazz\u00a0collaborent en vous offrant des articles, textes et contenus respectifs ! Ce mois-ci, nous avons eu envie de partager la chronique sign\u00e9e\u00a0 Christophe Rodriguez*, \u00e0 propos de la sortie du premier album, du batteur Jim Doxas.<\/strong><\/p>\n<p>\u00c0 la barre de jam sessions du <em>Upstairs<\/em> le lundi, accompagnateur efficace du pianiste <strong>Oliver Jones<\/strong>, la batteur <strong><a href=\"http:\/\/jimdoxas.com\/\" target=\"_blank\">Jim Doxas<\/a><\/strong> est forc\u00e9ment une perle rare. Pour ce premier disque <strong><em>Blind Leap<\/em><\/strong>, il s\u2019est entour\u00e9 du contrebassiste <strong>Morgan Moore<\/strong> et du redoutable pianiste <strong>Paul Schrofel<\/strong>, dans un m\u00e9nage \u00e0 trois.<\/p>\n<div id=\"attachment_2628\" style=\"width: 690px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/couleursjazz.fr\/wp-content\/uploads\/2015\/10\/Jim-Doxas-e1444066107788.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2628\" class=\"size-full wp-image-2628\" src=\"http:\/\/couleursjazz.fr\/wp-content\/uploads\/2015\/10\/Jim-Doxas-e1444066107788.jpg\" alt=\"Jim Doxas\" width=\"680\" height=\"383\" \/><\/a><p id=\"caption-attachment-2628\" class=\"wp-caption-text\">Jim Doxas<\/p><\/div>\n<p>Privil\u00e9giant l\u2019unit\u00e9 au profit de son talent de styliste et de batteur tout terrain, nous sommes en pr\u00e9sence d\u2019un maitre du style qui n\u2019est pas sans \u00e9voquer, le polyrythmique <strong>Philly Joe Jones<\/strong>. B\u00e2ti sur un mod\u00e8le ou les compositions personnelles font office de bougie d\u2019allumage, mise \u00e0 part une tr\u00e8s belle relecture d\u2019un <strong>Wayne Shorter<\/strong> (<em>Fall<\/em>), ce <strong>Blind Leap\u00a0<\/strong>est une grille de pr\u00e9cision, avec, en toile de fond, la m\u00e9moire du pianiste <strong>Jan Jarczyk<\/strong>.<\/p>\n<p><strong>Track list :<\/strong><\/p>\n<p>Melo 3<br \/>\nMy Old Flame<br \/>\nFall<br \/>\nAct One<br \/>\nEffervescence<br \/>\nO Sacred Head, Now Wounded<br \/>\nKP<br \/>\nBerceuse pour Jan<\/p>\n<p>(*) Christophe Rodriguez est \u00e9galement chroniqueur\/blogueur jazz, classique et livres au <a href=\"http:\/\/blogues.journaldemontreal.com\/christopherodriguez\/\" target=\"_blank\">Journal de Montr\u00e9al<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chaque mois ou presque,\u00a0sortiesJAZZnights.com,\u00a0\u00a0le site Qu\u00e9b\u00e9cois du Jazz et Couleurs Jazz\u00a0collaborent en vous offrant des articles, textes et contenus respectifs ! Ce mois-ci, nous avons eu envie de partager la&#8230;<\/p>\n","protected":false},"author":8,"featured_media":4806,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202],"tags":[2909],"class_list":{"0":"post-4808","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"tag-jim-doxas-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/4808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=4808"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/4808\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/4806"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=4808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=4808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=4808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}