{"id":46749,"date":"2026-07-25T09:47:07","date_gmt":"2026-07-25T08:47:07","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=46749"},"modified":"2026-07-25T09:50:28","modified_gmt":"2026-07-25T08:50:28","slug":"retour-sur-le-vitoria-gasteiz-jazz-festival-2026","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/retour-sur-le-vitoria-gasteiz-jazz-festival-2026\/","title":{"rendered":"Retour sur le Vitoria-Gasteiz Jazz Festival 2026"},"content":{"rendered":"[vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb 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La ville de Vitoria<\/strong> (Gasteiz<\/strong> en basque) accueille depuis 1977 l\u2019un des plus prestigieux festivals de jazz d\u2019Espagne. Forte d\u2019une programmation \u00e9clectique, cette 49e \u00e9dition s\u2019est tenue du 13 au 18 juillet. N\u2019ayant pu assister qu\u2019\u00e0 la journ\u00e9e de cl\u00f4ture, je me concentrerai sur ce bouquet final, marqu\u00e9 par une affiche enti\u00e8rement am\u00e9ricaine.<\/p>\n

R\u00e9partie entre deux salles aux dimensions et aux atmosph\u00e8res radicalement diff\u00e9rentes, cette ultime soir\u00e9e d\u00e9butait dans le plus petit auditorium, malheureusement d\u00e9pourvu d\u2019une climatisation efficace, o\u00f9 se produisait le saxophoniste originaire de Chicago Isaiah Collier<\/strong>. La soir\u00e9e se poursuivait ensuite au Polideportivo Mendizorrotza<\/strong> pour un double plateau r\u00e9unissant The Bad Plus<\/strong> et Snarky Puppy<\/strong>.<\/p>\n

L\u2019ann\u00e9e 2026 marquant \u00e0 la fois le centenaire de la naissance de Miles Davis<\/strong> et celui de John Coltrane<\/strong>, c\u2019est ce dernier qui \u00e9tait mis \u00e0 l\u2019honneur le 18 juillet. Apr\u00e8s avoir c\u00e9l\u00e9br\u00e9 l\u2019an dernier \u00e0 Los Angeles<\/strong> le 60e anniversaire de l\u2019enregistrement du mythique A Love Supreme<\/strong>, Isaiah Collier<\/strong> apparaissait comme l\u2019un des h\u00e9ritiers les plus l\u00e9gitimes de cette \u0153uvre, tant il partage avec Coltrane<\/strong> une m\u00eame intensit\u00e9 musicale et une profonde qu\u00eate spirituelle. Il ouvrit son concert avec My Favorite Things<\/strong>, standard immortalis\u00e9 par Coltrane<\/strong> sur l\u2019album \u00e9ponyme de 1961, avant d\u2019encha\u00eener avec la suite A Love Supreme<\/strong>. Si le quartet, emmen\u00e9 notamment par l\u2019excellent pianiste David Whitfield<\/strong>, se montrait d\u2019une remarquable coh\u00e9sion, Collier<\/strong> monopolisait naturellement l\u2019attention gr\u00e2ce \u00e0 de longs d\u00e9veloppements au saxophone soprano puis t\u00e9nor, ne s\u2019accordant pratiquement aucun r\u00e9pit. Ce n\u2019est qu\u2019\u00e0 l\u2019approche du final qu\u2019il prit la parole pour annoncer avec enthousiasme Ol\u00e9, composition inspir\u00e9e par l\u2019Espagne et parue elle aussi en 1961 sur l\u2019album du m\u00eame nom \u2014 d\u00e9cid\u00e9ment une ann\u00e9e particuli\u00e8rement f\u00e9conde pour Coltrane<\/strong>. Apr\u00e8s avoir ponctu\u00e9 tout le concert de petites interventions sur divers instruments de percussion dispos\u00e9s \u00e0 ses c\u00f4t\u00e9s, Collier<\/strong> saisit une paire de castagnettes afin de souligner avec malice les accents ib\u00e9riques de cette ultime pi\u00e8ce.<\/p>\n

Un peu plus tard, The Bad Plus<\/strong> ouvrait les festivit\u00e9s au Polideportivo Mendizorrotza<\/strong> avec un concert charg\u00e9 d\u2019\u00e9motion. Dans un espagnol assez correct, le contrebassiste et cofondateur Reid Anderson<\/strong> annon\u00e7a qu\u2019il s\u2019agissait du dernier concert du groupe sur le sol espagnol avant sa dissolution pr\u00e9vue \u00e0 la fin de l\u2019ann\u00e9e. Le bien nomm\u00e9 Farewell Tour<\/strong> mettra un terme \u00e0 vingt-sept ann\u00e9es d\u2019existence pour une formation qui a su se r\u00e9inventer au fil des d\u00e9parts successifs d\u2019Ethan Iverson<\/strong> puis d\u2019Orrin Evans<\/strong>. Principalement compos\u00e9 de cr\u00e9ations d\u2019Anderson<\/strong> et du batteur Dave King<\/strong>, le programme faisait \u00e9galement une place \u00e0 une reprise d\u2019Ornette Coleman<\/strong>. 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C\u2019est ensuite dans un espagnol presque parfait que le bassiste et fondateur de Snarky Puppy<\/strong>, Michael League<\/strong>, s\u2019adressa au public. Install\u00e9 depuis pr\u00e8s de dix ans dans un village catalan, il a fait de l\u2019Espagne<\/strong> la base europ\u00e9enne du groupe. Deux jours plus t\u00f4t, Snarky Puppy<\/strong> se produisait d\u2019ailleurs au Gent Jazz Festival<\/strong>, comme en t\u00e9moignait le T-shirt port\u00e9 avec fiert\u00e9 par l\u2019un des musiciens. Apr\u00e8s avoir rendu un vibrant hommage \u00e0 The Bad Plus<\/strong>, que League<\/strong> consid\u00e8re comme une influence majeure pour toute une g\u00e9n\u00e9ration de musiciens, il expliqua que le concert serait enti\u00e8rement consacr\u00e9 \u00e0 Somni<\/strong> (\u00ab r\u00eave \u00bb en catalan), le dernier album du collectif. La grande force de Snarky Puppy<\/strong> demeure cette capacit\u00e9 constante \u00e0 se r\u00e9inventer tout en conservant une identit\u00e9 musicale imm\u00e9diatement reconnaissable, capable de s\u00e9duire bien au-del\u00e0 du seul public jazz. Si chaque musicien apportait sa pierre \u00e0 l\u2019\u00e9difice, le violoniste Zach Brock<\/strong> s\u2019imposa souvent comme la figure centrale du concert gr\u00e2ce \u00e0 un jeu aussi brillant \u00e0 l\u2019archet qu\u2019en pizzicato.<\/p>\n

Aucun festival de jazz digne de ce nom ne saurait se conclure sans sa traditionnelle jam session. \u00c0 Vitoria<\/strong>, pendant quatre nuits cons\u00e9cutives, la pianiste italienne Francesca Tandoi<\/strong> retrouvait le public aux alentours de minuit dans un h\u00f4tel voisin, bient\u00f4t rejointe par d\u2019autres musiciens d\u00e9sireux de prolonger la f\u00eate. Jusqu\u2019aux premi\u00e8res lueurs du jour, le jazz continuait ainsi de r\u00e9sonner dans une ville qui, \u00e0 l\u2019image de tant d\u2019autres en Espagne<\/strong>, ne semble jamais vraiment s\u2019endormir. En attendant, peut-\u00eatre, de revenir l\u2019an prochain c\u00e9l\u00e9brer dignement le cinquanti\u00e8me anniversaire de ce remarquable festival, les amateurs de jazz ont d\u00e9j\u00e0 rendez-vous quelques jours plus tard, \u00e0 une centaine de kilom\u00e8tres de l\u00e0, pour un autre grand rendez-vous estival : le festival de Saint-S\u00e9bastien.<\/p>\n

Vitoria Jazz Festival 13-18 juillet, 2026 Program – 49th Edition | Vitoria-Gasteiz Jazz Festival<\/span><\/a><\/p>\n

Pascal Dorban[\/vc_column_text][divider line_type=\u00a0\u00bbFull Width Line\u00a0\u00bb line_thickness=\u00a0\u00bb1″ divider_color=\u00a0\u00bbdefault\u00a0\u00bb][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb row_position_desktop=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb flex_gap_desktop=\u00a0\u00bb10px\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text css=\u00a0\u00bb\u00a0\u00bb text_direction=\u00a0\u00bbdefault\u00a0\u00bb]Texte et photographies : Pascal Dorban \u00a9 Couleurs Jazz, 2026. Toute reproduction, m\u00eame partielle, est interdite sans autorisation pr\u00e9alable.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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