{"id":45262,"date":"2026-02-06T10:09:35","date_gmt":"2026-02-06T09:09:35","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=45262"},"modified":"2026-03-13T14:26:47","modified_gmt":"2026-03-13T13:26:47","slug":"barbara-wiernick-between-whispers","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/barbara-wiernick-between-whispers\/","title":{"rendered":"Barbara Wiernik &#8211; Between Whispers"},"content":{"rendered":"<div>\n<p><span style=\"font-size: 14pt;\"><strong>Richard Wagner a dit de la septi\u00e8me symphonie de Beethoven que c\u2019\u00e9tait \u00ab\u00a0<\/strong><em><b>l\u2019apoth\u00e9ose de la danse<\/b><\/em><strong>\u00a0\u00bb.<\/strong><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">On pourrait dire de m\u00eame que ce disque de<span class=\"apple-converted-space\">\u00a0<\/span><strong>Barbara Wiernik<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>est l\u2019apoth\u00e9ose du chant. Elle r\u00e9unit en effet autour d\u2019elle pas moins de quatre vocalistes\u00a0: trois femmes et un homme qui pour certains ont contribu\u00e9 \u00e0 la composition du r\u00e9pertoire.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Selon les plages ce sont donc<span class=\"apple-converted-space\">\u00a0<\/span><strong>Elina Duni<\/strong>,<span class=\"apple-converted-space\"><b>\u00a0<\/b><\/span><strong>Sofia Ribeiro<\/strong>,<span class=\"apple-converted-space\">\u00a0<\/span><strong>Veronika Harcsa<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>ou<span class=\"apple-converted-space\">\u00a0<\/span><strong>David Linx<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>qui allient leur voix \u00e0 la sienne. Et ces voix sont toutes admirables par leur timbre et la fluidit\u00e9 de leur phras\u00e9, qu\u2019elles modulent des paroles en anglais ou en fran\u00e7ais sur un titre, ou s\u2019expriment en un scat souple et expressif.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Il en r\u00e9sulte une atmosph\u00e8re \u00e9minemment po\u00e9tique \u00e0 laquelle contribuent sept instrumentistes\u00a0: deux guitares, deux pianos, un violoncelle, une contrebasse et une batterie, dont certains ont particip\u00e9 \u00e0 la composition des musiques.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">C\u2019est donc une sonorit\u00e9 hautement originale qui se d\u00e9ploie, plage apr\u00e8s plage, pour former un ensemble d\u2019un lyrisme \u00e9panoui, tout en douceur et en intensit\u00e9.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">L\u2019entrelacs des lignes m\u00e9lodiques des diverses voix est remarquable, qu\u2019elles forment un ch\u0153ur ou s\u2019expriment en contrepoint ou \u00e0 l\u2019unisson. Et on succombe facilement au charme de ces sonorit\u00e9s a\u00e9riennes.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Voici donc une totale r\u00e9ussite de la part d\u2019une musicienne qui a su s\u2019entourer de fort belle fa\u00e7on et proposer un projet sans \u00e9quivalent.<\/span><\/p>\n<\/div>\n<p style=\"font-weight: 400;\"><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4sGCupcwtVsbhgOQqr73T4?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-testid=\"embed-iframe\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<div>\n<p><span style=\"font-size: 14pt;\">Musiciens\u00a0:<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong>Barbara Wiernik, Elina Duni, Sofia Ribeiro, Veronika Harcsa, David Linx<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>: voix<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong>Alain Pierre, Balint Gy\u00e9mant<\/strong>\u00a0: guitare<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong><span lang=\"EN-US\">Diederick Wissels<\/span><\/strong><span lang=\"EN-US\">\u00a0: piano<\/span><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong><span lang=\"EN-US\">Marie-Sophie Talbot<\/span><\/strong><span lang=\"EN-US\">\u00a0: piano, percussion<\/span><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong>Sigrid Vandenbogaerde<\/strong>\u00a0: violoncelle<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong>Nicolas Fiszman<\/strong>\u00a0: contrebasse<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong>Antoine Pierre<\/strong>\u00a0: batterie<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><em><b>Between Whispers<\/b><\/em><span class=\"apple-converted-space\">\u00a0<\/span>est sorti sous les label<span class=\"apple-converted-space\">\u00a0<\/span><strong>Igloo Records<\/strong>, le 6 f\u00e9vrier 2026.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong>\u00a9Photo Header Cassandre Sturbois<\/strong><\/span><\/p>\n<\/div>\n<p style=\"font-weight: 400;\">\n","protected":false},"excerpt":{"rendered":"<p>Richard Wagner a dit de la septi\u00e8me symphonie de Beethoven que c\u2019\u00e9tait \u00ab\u00a0l\u2019apoth\u00e9ose de la danse\u00a0\u00bb. On pourrait dire de m\u00eame que ce disque de\u00a0Barbara Wiernik\u00a0est l\u2019apoth\u00e9ose du chant. Elle&#8230;<\/p>\n","protected":false},"author":178,"featured_media":45258,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202],"tags":[10264,5696,10265,10321,5168,10266,10261,10267,10269,10268,10262,10263],"class_list":{"0":"post-45262","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"tag-alain-pierre","10":"tag-antoine-pierre","11":"tag-balint-gyemant","12":"tag-barbara-wiernik","13":"tag-david-linx","14":"tag-diederick-wissels","15":"tag-elina-duni","16":"tag-marie-sophie-talbot","17":"tag-nicolas-fiszman","18":"tag-sigrid-vandenbogaerde","19":"tag-sofia-ribeiro","20":"tag-veronika-harcsa"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/45262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=45262"}],"version-history":[{"count":4,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/45262\/revisions"}],"predecessor-version":[{"id":45320,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/45262\/revisions\/45320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/45258"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=45262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=45262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=45262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}