{"id":43295,"date":"2025-05-05T15:51:44","date_gmt":"2025-05-05T14:51:44","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=43295"},"modified":"2025-05-05T19:40:01","modified_gmt":"2025-05-05T18:40:01","slug":"best-of-avril-2025","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/best-of-avril-2025\/","title":{"rendered":"Best of avril 2025"},"content":{"rendered":"<p><span style=\"color: #993300; font-size: 18pt;\"><strong>[COULEURS JAZZ MONTH \u2013 THE BEST OF!]<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Sur COULEURS JAZZ RADIO \u2013 <a href=\"http:\/\/www.couleursjazzradio.fr\/?fbclid=IwZXh0bgNhZW0CMTAAAR3ETi-Vaje2YBD9RPkqN9R2CiSSTUEQly2g5II8HJJK4sQR8etuAOXCcM8_aem_-TTyiWGtATWJIGKmkqeCpQ\"><strong>www.couleursjazzradio.fr:<\/strong><\/a><\/span><\/p>\n<p><span style=\"font-size: 14pt;\">A l&rsquo;heure de Paris : lundi 16H, mardi 17H, mercredi 18H, jeudi 19H.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Toronto time : at 08:00PM Tuesday and 10:00 PM Wednesday<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Les 12 meilleurs albums (Hit Couleurs Jazz) sortis le mois dernier : mars 2025, donc\u00a0:<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Chantez sous l\u2019appli !<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Apps Couleurs Jazz Radio GooglePlay : <a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fbit.ly%2FCJRGooglePlay%3Ffbclid%3DIwZXh0bgNhZW0CMTAAAR0HOt3Ue359qMUUOt8j4SICRA53IWpMZxAbbeuG2FFbHA7vKIlV5v5ZHiE_aem_HS8g7zg5yVcR3QO85nvTgQ&amp;h=AT30SS21dOfxOj9FzVocFEkmpec6M9FjlVHjRN4Hl8OuEzpZ5wrPVAl1xlHhrZbYU14ySTXmMiqC1Qa2ltQ5w-6UZ5oh2rX_id0dMQkS_XBNClKiDgix9frVZLsaK1KckNdXQKBj5aSqCUPC9IqZyOI&amp;__tn__=-UK-R&amp;c%5B0%5D=AT2pEw_N4vgpYV3WdicXy1C8oSZI_1FiRNzlW5tigfkTn6cZa5zDt4IsPwqGbRcMRjkZpHARVPBR4PijtMZhGU_aIjUlD70LgBD-_G-tFuUCaYLbqnuxL4jU3iy2OPZA0RK5jDV-Kbmyr47zyGAeRLyZMk3U2r62qgHd03u1uWVKXfyIZ15X_xW7dzkVtpwUS_0D_Qy9PkCOUeEMxp4cdrtMBA\"><strong>https:\/\/bit.ly\/CJRGooglePlay<\/strong><\/a><\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Apps Couleurs Jazz Radio iOS Appstore : <a href=\"https:\/\/l.facebook.com\/l.php?u=https%3A%2F%2Fbit.ly%2FCJRAppstore%3Ffbclid%3DIwZXh0bgNhZW0CMTAAAR2w_bfJMYUcAgguE3ddUwvRzZOYyBKwVaB468wVga2z7qUuPfqSQkmda1k_aem_cCj1OKv_5hez_b07MObeYg&amp;h=AT2ZaJM_QFmGoNHKvz_GuOExWqjLLYFZ-myPtEzsPwwUV4gZ7ZpGfwxY9pzrqOonsepkJE2o0gj6aFYXgLGhnQob7suCHexzfqn0A5RlELjVXdnrrLD0vBgM-9HpzSeuH_eHmSPQTlteagcsK8dV0_Q&amp;__tn__=-UK-R&amp;c%5B0%5D=AT2pEw_N4vgpYV3WdicXy1C8oSZI_1FiRNzlW5tigfkTn6cZa5zDt4IsPwqGbRcMRjkZpHARVPBR4PijtMZhGU_aIjUlD70LgBD-_G-tFuUCaYLbqnuxL4jU3iy2OPZA0RK5jDV-Kbmyr47zyGAeRLyZMk3U2r62qgHd03u1uWVKXfyIZ15X_xW7dzkVtpwUS_0D_Qy9PkCOUeEMxp4cdrtMBA\"><strong>https:\/\/bit.ly\/CJRAppstore<\/strong><\/a><\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Avec :<\/span><\/p>\n<ul>\n<li><span style=\"font-size: 14pt;\"><strong>No\u00e9 Codjia &amp; Neil Saidi Quintet <\/strong>pour \u00ab\u00a0<em>Indi-g\u00eane<\/em>\u00ab\u00a0<\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Yves Brouqui <\/strong>pour \u201c<em>Mean What You Say\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Cyrus Chestnut <\/strong>pour \u201c<em>Rhythm, Melody and Harmony\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Emmanuel Bex <\/strong>pour \u201c<em>Eddy m&rsquo;a Dit\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Daniel Herskedal <\/strong>pour\u201c<em>Movements of Air<\/em>\u201d<\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Sean Nelson &amp; New London Big Band <\/strong>pour \u201c<em>Don\u2019t Stop Now\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Ignasi Terraza, Ulf Wakenius &amp; Pierre Boussaguet <\/strong>pour \u201c<em>With Respect to Oscar and Niel\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Yotam Silberstein Feat. John Patitucci &amp; Billy Hart <\/strong>pour \u201c<em>Standards Vol.2\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Angelo Debarre, Serge Camps, Frank Anastasio <\/strong>pour \u201c<em>Gypsy Guitars\u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Hiromi&rsquo;s Feat. Sonicwonder <\/strong>pour \u201c <em>Out There \u201d<\/em><\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Yacouba Trio <\/strong>pour \u201c<em>Ouida Road<\/em>\u201d<\/span><\/li>\n<li><span style=\"font-size: 14pt;\"><strong>Romain Pilon <\/strong>pour \u201c<em>Open Roads<\/em>\u201d<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 14pt;\">#noecodjia #neilsaidi #yvesbrouqui #cyruschestnut #emmanuelbex #danielherskedal #seannelson #newlondonbigband #ignasiterraza #ulfwakenius #pierreboussaguet #yotamsilberstein #johnpatitucci #billyhart #angelodebarre #sergecamps #frankanastasio #hiromi #sonicwonder #yacoubatrio #romainpilon #couleursjazz #couleursjazzradio #thebestof #bestofthemonth<\/span><\/p>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b>1- No\u00e9 Codjia &amp; Neil Saidi 5tet \u2013 <\/b><span class=\"Aucun\"><b><i><span lang=\"DE\">Indi-G<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"NL\">\u00ea<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"ZH-TW\">ne ?<\/span><\/i><\/b><\/span><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Avec <span class=\"Aucun\"><b><i><span lang=\"DE\">Indi-G<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"NL\">\u00ea<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"ZH-TW\">ne ?<\/span><\/i><\/b><\/span><b>,<\/b> le premier album du <b>No\u00e9 Codjia &amp; Neil Saidi 5tet,<\/b> deux piliers du <i>Zoot Collectif <\/i>livrent une d\u00e9claration d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>intention claire : ancrer leur jazz dans la tradition du quintet acoustique, tout en affirmant une voix originale, vibrante, pleinement contemporaine.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Entour\u00e9<span lang=\"PT\">s de <b>No<\/b><\/span><b>\u00e9 <\/b><b><span lang=\"IT\">Huchard<\/span><\/b><span lang=\"IT\"> au piano, <b>Luca Fattorini<\/b> <\/span>\u00e0 la contrebasse et <b>Malte Arndal<\/b> \u00e0 la batterie, ils signent un r\u00e9pertoire 100 % original, enregistr\u00e9 dans leur propre studio \u00e0 <span lang=\"PT\">Paris.<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\">Un <i>son maison<\/i>, pens\u00e9, produit et peaufin\u00e9 par cet ensemble de brillants jeunes musiciens eux-m\u00ea<span lang=\"PT\">mes.<\/span><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Le r\u00e9sultat ? Un jazz collectif et habit\u00e9, nourri de belles influences et jamais fig\u00e9.<\/span><br \/>\n<span style=\"font-size: 14pt;\">\u00c7a swingue, \u00e7a explore, \u00e7a dialogue. Et surtout, \u00e7<span lang=\"IT\">a vit.<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\">Avec ce disque, et tout le travail autour du <b>Zoot Collectif<\/b>, <b>Codjia <\/b>et <b>Saidi<\/b> confirment qu<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>ils sont bien plus que d\u2019excellents jazzmen, mais des passeurs et des b\u00e2tisseurs. <\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">On en reparlera.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><\/b><b><span lang=\"DE\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43270 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Noe-Codjia-Neil-Saidi-copie-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/b><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><span lang=\"DE\">2- Yotam Silberstein <\/span><\/b><b>\u2013 <\/b><span class=\"Aucun\"><b><i><span lang=\"NL\">Standards Vol. 2<\/span><\/i><\/b><\/span><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Apr<span lang=\"IT\">\u00e8<\/span>s un premier volume salu\u00e9 par <span class=\"Aucun\"><span lang=\"NL\">la critique<\/span><\/span>, le guitariste <b>Yotam Silberstein<\/b> poursuit son hommage aux standards du jazz avec une suite tout aussi inspir\u00e9<span lang=\"IT\">e.<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\">Toujours entour\u00e9 de <b>John Patitucci <\/b>et<b> Billy Hart<\/b>, il choisit des morceaux rares, qu<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>il revisite avec finesse, swing et une touche personnelle.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Mention sp\u00e9<span lang=\"IT\">ciale <\/span>\u00e0 <span class=\"Aucun\"><i>Blue Gardenia<\/i><\/span>, version rythm\u00e9e d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>un classique de Nat King Cole, ou \u00e0 <span class=\"Aucun\"><i><span lang=\"NL\">Delilah<\/span><\/i><\/span>, subtilement teint\u00e9<span lang=\"IT\">e de sonorit<\/span>\u00e9s moyen-orientales gr\u00e2ce au oud.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Un projet \u00e9l\u00e9gant, plein de sensibilit\u00e9, o<span lang=\"IT\">\u00f9 <\/span>chaque note sonne juste.<\/span><br \/>\n<span style=\"font-size: 14pt;\"><span class=\"Aucun\"><b><i><span lang=\"NL\">Standards Vol. 2<\/span><\/i><\/b><\/span>, ou l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>art de renouveler les grands classiques avec gr\u00e2ce et modernit\u00e9.<\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><span lang=\"EN-US\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43272 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Yotam-Silberstein-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/b><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><span lang=\"EN-US\">3- Sean Nelson &amp; New London Big Band<\/span><\/b><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><i>Thad Jones<\/i>, c<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>est le jazz \u00e0 plusieurs niveaux : complexe, virtuose, mais toujours vibrant et accessible.<\/span><br \/>\n<span style=\"font-size: 14pt;\">On le red\u00e9couvre aujourd<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>hui \u00e0 travers un tr\u00e9sor oubli\u00e9 \u2014 25 arrangements \u00e9crits dans les ann\u00e9es 70 pour Harry James, rest\u00e9s in\u00e9dits.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Le tromboniste <b>Sean Nelson<\/b> et son <b>New London Big Band<\/b> ressuscitent cette musique avec classe, \u00e9paul\u00e9s par <b>Wayne Bergeron<\/b> et<b> John Riley<\/b>.<\/span><br \/>\n<span style=\"font-size: 14pt;\">On y entend les premi<span lang=\"IT\">\u00e8<\/span>res versions de titres phares comme <span class=\"Aucun\"><i><span lang=\"NL\">Tip Toe<\/span><\/i><\/span> ou <span class=\"Aucun\"><i>Three and One<\/i><\/span>, dans lesquels foisonnent de brillantes id\u00e9es<span lang=\"PT\">.<\/span><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><span lang=\"IT\">Un album <\/span>\u00e0 la fois historique et terriblement vivant, qui confirme l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>immense talent d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>un Thad Jones disparu il y a d\u00e9j\u00e0 une quarantaine d\u2019ann\u00e9es.<\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43274 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Sean-Nelson-New-London-Big-Band-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/b><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b>4- Yacouba Trio \u2013 <\/b><span class=\"Aucun\"><b><i><span lang=\"PT\">Ouida Road<\/span><\/i><\/b><\/span><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Apr<span lang=\"IT\">\u00e8<\/span>s avoir fait vibrer la sc<span lang=\"IT\">\u00e8<\/span>ne rock avec <i>Trust<\/i>, <b>David <\/b>\u00ab <b><i>Yacouba <\/i><\/b><span lang=\"IT\">\u00bb <\/span><b>Jacob<\/b> revient avec un projet profond\u00e9ment personnel : <b>le Yacouba Trio<\/b> et l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span lang=\"PT\">album <span class=\"Aucun\"><b>Ouida Road<\/b><\/span><\/span>.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Un disque n\u00e9 d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>un long chemin de vie, entre world music, jazz et racines intimes.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Entour\u00e9 de ses complices <b>Hakim Molina<\/b> \u00e0 la batterie et <b>Nicolas No\u00ebl<\/b> au piano, il propose des compositions originales, nourries d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>influences hard bop, de musiques de films, et de son parcours multiculturel.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Contrebassiste tardif mais passionn\u00e9, <b>Yacouba<\/b> transforme chaque note en voyage.<\/span><br \/>\n<span style=\"font-size: 14pt;\">D<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span class=\"Aucun\"><i><span lang=\"PT\">Ouida Road<\/span><\/i><\/span>, clin d\u2019\u0153il \u00e0 ses origines b\u00e9ninoises, \u00e0 <span class=\"Aucun\"><i>Sunday Market<\/i><\/span> et <span class=\"Aucun\"><i>Why Tea<\/i><\/span>, chaque titre raconte une histoire \u2014 la sienne.<\/span><br \/>\n<span style=\"font-size: 14pt;\"><span lang=\"IT\">Un trio sinc\u00e8<\/span>re, \u00e9l\u00e9gant, qui joue \u00e0 hauteur d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>homme. \u00c0 d\u00e9couvrir sur Couleurs Jazz Radio.<\/span><\/p>\n<div>\n<h3><span style=\"font-size: 14pt;\"><b><span lang=\"EN-US\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43276 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ouida-Road-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/b><\/span><\/h3>\n<h3><span style=\"font-size: 14pt;\"><b><span lang=\"EN-US\">5- Ignasi Terraza, Pierre Boussaguet &amp; Ulf Wakenius<\/span><\/b><span lang=\"EN-US\"> \/ <i>With Respect to Oscar<\/i>.<b><\/b><\/span><\/span><\/h3>\n<\/div>\n<div>\n<p class=\"gmail-\"><span style=\"font-size: 14pt;\">Oscar Peterson (1925\u20132007) a marqu\u00e9 l\u2019histoire du jazz en trio avec deux partenaires d\u2019exception : Ray Brown, ma\u00eetre du<span class=\"apple-converted-space\">\u00a0<\/span><em>walking bass<\/em>, et NH\u00d8P, au jeu lyrique et sophistiqu\u00e9. Leur h\u00e9ritage r\u00e9sonne encore aujourd\u2019hui.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"gmail-\"><span style=\"font-size: 14pt;\">En 2010, Jordi Su\u00f1ol r\u00e9unit pour le Festival de Colmar trois musiciens europ\u00e9ens dans cette tradition : <strong>Ignasi Terraza<\/strong> (piano), <strong>Pierre Boussaguet<\/strong> (contrebasse) et <strong>Ulf Wakenius<\/strong> (guitare). C\u2019est en 2024, apr\u00e8s un concert \u00e0 Barcelone, que le trio enregistre enfin en studio.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"gmail-\"><span style=\"font-size: 14pt;\">Entre standards d\u2019Oscar Peterson (<em>Cakewalk<\/em>,<span class=\"apple-converted-space\">\u00a0<\/span><em>You Look Good to Me<\/em>) et compositions originales (<em>Mother Land<\/em>,<span class=\"apple-converted-space\">\u00a0<\/span><em>Give Me Another<\/em>,<span class=\"apple-converted-space\">\u00a0<\/span><em>Lines for Oscar<\/em>), cet album est un hommage \u00e9l\u00e9gant et vivant \u00e0 une esth\u00e9tique intemporelle.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Album <em>Swit Record<\/em>s \u00e0 avoir dans toute discoth\u00e8que jazz digne de ce nom.<\/span><\/p>\n<\/div>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43278 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Ignassi-Terraza-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/b><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b>6- Romain Pilon \u2013 <span class=\"Aucun\"><i>Open Roads<\/i><\/span><\/b><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Avec <span class=\"Aucun\"><b><i>Open Roads<\/i><\/b><\/span><b>, Romain Pilon<\/b> poursuit son aventure musicale sur des chemins in\u00e9dits.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Apr<span lang=\"IT\">\u00e8<\/span>s le succ<span lang=\"IT\">\u00e8<\/span><span lang=\"ES-TRAD\">s de <\/span><span class=\"Aucun\"><b>Falling Grace<\/b><\/span>, le guitariste affirme ici ses talents de compositeur, dans un disque \u00e0 la fois po\u00e9tique, subtil et puissamment libre.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><span lang=\"PT\">Port<\/span>\u00e9 par un trio de haut vol \u2013 <span lang=\"IT\">Orlando le Fleming <\/span>\u00e0 la contrebasse et <b>Mark Whitfield Jr<\/b>. \u00e0 <span lang=\"IT\">la batterie <\/span>\u2013 et enrichi par les couleurs du vibraphone d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><b>Alexis Valet<\/b> et de la trompette de<b> <\/b>l\u2019outre-qui\u00e9vrain,<b> Jean-Paul Esti\u00e9<\/b><b><span lang=\"SV\">venart<\/span><\/b><span lang=\"SV\">, l<\/span><span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>album navigue entre l\u2019\u00e9nergie <i>Blue Note<\/i> des ann\u00e9es 60 et l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>espace contemplatif cher \u00e0 <i>ECM<\/i>.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Chaque morceau ouvre une nouvelle perspective, m\u00ealant \u00e9criture cisel\u00e9e et improvisations sensibles.<\/span><br \/>\n<span style=\"font-size: 14pt;\"><span lang=\"DA\">Un jazz moderne, <\/span>\u00e9l\u00e9gant et vivant, qui confirme que <b>Romain Pilon<\/b> est bien l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>un des guitaristes majeurs de sa g\u00e9n\u00e9ration.<\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43280 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Romain-Pilon-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/b><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b>7- Emmanuel Bex \u2013 <\/b><span class=\"Aucun\"><b><i><span lang=\"NL\">Eddy m<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"IT\">a dit<\/span><\/i><\/b><\/span><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Qui d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>autre qu<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><b>Emmanuel Bex <\/b>pour rendre hommage \u00e0 l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>immense Eddy Louiss ?<\/span><br \/>\n<span style=\"font-size: 14pt;\">Dans <span class=\"Aucun\"><b><i><span lang=\"NL\">Eddy m<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"IT\">a Dit<\/span><\/i><\/b><\/span>, <b>Bex<\/b> convoque l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>esprit de son ma\u00eetre, son mod<span lang=\"IT\">\u00e8<\/span>le, celui qui, un jour, lui a transmis le feu sacr\u00e9 de l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span lang=\"PT\">orgue Hammond.<\/span><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Le disque est une f\u00eate, une fresque sonore \u00e0 la fois pr\u00e9cise, bouillonnante et libre.<\/span><br \/>\n<span style=\"font-size: 14pt;\"><b><span lang=\"ES-TRAD\">Emmanuel Bex<\/span><\/b><span lang=\"ES-TRAD\"> y m<\/span>\u00eale swing et tendresse, groove antillais, fanfares d\u00e9lirantes, jazz de chambre et biguine in\u00e9<span lang=\"IT\">dite.<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\">Aux c\u00f4t\u00e9s de musiciens de plusieurs g\u00e9n\u00e9rations \u2014 <b>Michel Alibo, Fidel Fourneyron, Arnaud Dolmen, Simon Goubert, <\/b>et m\u00eame son propre fils<b> Tristan <\/b>\u2014 il construit un hommage vivant, joyeux, structur\u00e9 <span lang=\"PT\">mais habit<\/span>\u00e9.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Avec <span class=\"Aucun\"><b><i><span lang=\"NL\">Eddy m<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><\/i><\/b><\/span><span class=\"Aucun\"><b><i><span lang=\"IT\">a Dit<\/span><\/i><\/b><\/span><b>,<\/b> <b>Emmanuel Bex<\/b> ne c\u00e9l<span lang=\"IT\">\u00e8<\/span>bre pas seulement un g\u00e9ant du jazz : il prolonge son souffle, en prouvant, une fois encore, que l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>orgue est une voix de l\u2019\u00e2<span lang=\"IT\">me.<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><a href=\"https:\/\/couleursjazz.fr\/fr\/lalpha-bex-ou-la-relecture-deddy-louiss\/\">Lire ici<\/a>, la chronique de Bruno Pfeiffer.<\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><span class=\"Aucun\"><b><span lang=\"NL\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43282 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Emmanuel-Bex-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/b><\/span><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><span class=\"Aucun\"><b><span lang=\"NL\">8- Cyrus Chestnut \u2013 <\/span><\/b><\/span><b><i><span lang=\"EN-US\">Rhythm, Melody and Harmony<\/span><\/i><\/b><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Ma\u00eetre du piano jazz, <b>Cyrus Chestnut<\/b> revient avec un superbe album en quartet sur le label <i>HighNote<\/i>.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Entour\u00e9 <span lang=\"IT\">de <b>Gerald Cannon<\/b> <\/span>\u00e0 la contrebasse, <b>Chris Beck<\/b> \u00e0 la batterie et <b>Stacy Dillard<\/b> au saxophone, il signe un disque \u00e9l\u00e9gant et vibrant, dans lequel, swing, \u00e9motion et finesse, s&rsquo;entrelacent.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Comme toujours chez <b>Cyrus Chestnut,<\/b> le jeu est \u00e0 la fois ancr\u00e9 dans la tradition et ouvert aux surprises.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Entre compositions originales et interpr\u00e9tation pleine de c\u0153ur, ce nouveau chapitre affirme encore un peu plus, son rang parmi les grands pianistes de sa g\u00e9n\u00e9ration.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Une musique chaleureuse, luxuriante, exigeante et profond\u00e9ment humaine.<\/span><br \/>\n<span style=\"font-size: 14pt;\">\u00c0 \u00e9couter, \u00e0 savourer, \u00e0 partager.<\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43284 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/cyrus-Chesnut-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">\ufe0f<b><span lang=\"DA\"> 9- Daniel Herskedal <\/span><\/b><b>\u2013 <span class=\"Aucun\"><i>Movements of Air<\/i><\/span><\/b><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Pour son cinqui<span lang=\"IT\">\u00e8<\/span><span lang=\"ES-TRAD\">me album en trio, <\/span><span class=\"Aucun\"><b><i>Movements of Air<\/i><\/b><\/span><b>,<\/b> <b>Daniel Herskedal<\/b> signe une \u0153uvre majestueuse et int\u00e9rieure.<\/span><br \/>\n<span style=\"font-size: 14pt;\">\u00c0 ses c\u00f4t\u00e9s, ses compagnons de toujours : <b>Eyolf Dale<\/b> au piano (c\u00e9l\u00e9br\u00e9 ici il y a deux mois avec son disque\u00a0 <span class=\"Aucun\">When the Shadows Dance<span lang=\"NL\">)<\/span><\/span> et <b>Helge Norbakken<\/b> aux percussions.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Ensemble, ils c\u00e9l<span lang=\"IT\">\u00e8<\/span>brent dix ans de musique partag\u00e9e, dans un disque \u00e0 la fois contemplatif, cin\u00e9matographique et profond\u00e9ment humain.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Explorant la fronti<span lang=\"IT\">\u00e8<\/span>re entre douceur et tension, entre guerre et paix, <b>Herskedal<\/b> transforme la tuba en vecteur d\u2019\u00e9motion pure, \u00e0 travers des titres comme <span class=\"Aucun\"><i>Peace River Crossing<\/i><\/span> ou <span class=\"Aucun\"><i>The Olive Branch<\/i><\/span>.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">C<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>est un souffle d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>espoir, un chant sans parole, une musique de l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>air et du c\u0153ur.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Une \u0153uvre rare, \u00e0 la crois\u00e9e du jazz, de la musique de chambre et du r\u00eave \u00e9veill\u00e9.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43286 aligncenter\" style=\"font-size: 18.666666px;\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Daniel-Herskedal-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><span lang=\"EN-US\">10- Yves Brouqui \u2013 <span class=\"Aucun\"><i>Mean What You Say<\/i><\/span><\/span><\/b><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Apr<span lang=\"IT\">\u00e8<\/span>s sept ans de r\u00e9flexion, <b>Yves Brouqui<\/b> signe un retour lumineux avec <span class=\"Aucun\"><i>Mean What You Say<\/i><\/span>.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Entour\u00e9 du trio new-yorkais <b>de Spike Wilner, Paul Gill <\/b>et <b>Anthony Pinciotti<\/b>, il livre un album \u00e9l\u00e9gant, g\u00e9n\u00e9reux, et parfaitement ancr\u00e9 dans la tradition du jazz bop et hard bop.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Du vibrant hommage \u00e0 Cedar Walton (<span class=\"Aucun\"><i><span lang=\"NL\">Turquoise Twice<\/span><\/i><\/span>) \u00e0 <span lang=\"IT\">la revisite latinis<\/span>\u00e9e de <span class=\"Aucun\"><i>Stranger Than Paradise<\/i><\/span>, en passant par un <span class=\"Aucun\"><i><span lang=\"ES-TRAD\">Besame Mucho<\/span><\/i><\/span> en 5\/4 \u00e0 <span lang=\"IT\">la mani\u00e8<\/span>re de Wes Montgomery, chaque morceau est cisel\u00e9, inspir\u00e9<span lang=\"ES-TRAD\">, habit<\/span>\u00e9.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Mention sp\u00e9<span lang=\"IT\">ciale <\/span>\u00e0 <span class=\"Aucun\"><i><span lang=\"IT\">Magali<\/span><\/i><\/span>, tendre d\u00e9<span lang=\"ES-TRAD\">dicace <\/span>\u00e0 sa grand-m<span lang=\"IT\">\u00e8<\/span>re, et \u00e0 <span class=\"Aucun\"><i><span lang=\"NL\">For John L<\/span><\/i><\/span>, clin d\u2019\u0153il \u00e9vident \u00e0 <span lang=\"PT\">Wes.<\/span><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Le son du quartet guitare-piano \u00e9voque les plus belles heures de Blue Note.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Sans bavardage, tout en justesse et musicalit\u00e9.<\/span><br \/>\n<span style=\"font-size: 14pt;\"><b>Yves Brouqui<\/b> affirme ici une voix mature et ma\u00eetris\u00e9e : celle d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>un artisan du swing et d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>un amoureux du jazz historique.<\/span><br \/>\n<span style=\"font-size: 14pt;\"> Lire la chronique compl<span lang=\"IT\">\u00e8<\/span>te sur Couleurs Jazz : <span class=\"Hyperlink0\"><span lang=\"NL\"><a href=\"https:\/\/couleursjazz.fr\/fr\/yves-brouqui-mean-what-you-say\/\">https:\/\/couleursjazz.fr\/fr\/yves-brouqui-mean-what-you-say\/<\/a><\/span><\/span><\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><\/b><b><span lang=\"PT\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43288 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/BROUQUI-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/b><\/span><\/p>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b><span lang=\"PT\">11- Angelo Debarre <\/span><\/b><b><span lang=\"EN-US\">\u2013 <\/span><\/b><span class=\"Aucun\"><b><i><span lang=\"NL\">Gypsy Guitars 2<\/span><\/i><\/b><\/span><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Trente-cinq ans apr<span lang=\"IT\">\u00e8<\/span>s l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>album devenu culte <span class=\"Aucun\"><i><span lang=\"ES-TRAD\">Gypsy Guitars<\/span><\/i><\/span>, <b>Angelo Debarre<\/b> revient avec la suite tant attendue : <span class=\"Aucun\"><b><i><span lang=\"NL\">Gypsy Guitars 2<\/span><\/i><\/b><\/span>.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Toujours entour\u00e9 de ses compagnons de route <b>Serge Camps<\/b> \u00e0 la guitare rythmique et <b>Frank Anastasio<\/b> \u00e0 la contrebasse, il signe ici un disque \u00e0 la fois hommage et \u0153uvre de maturit\u00e9.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">On y retrouve l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>esprit de <span class=\"Aucun\"><i><span lang=\"NL\">La Roue Fleurie<\/span><\/i><\/span><span lang=\"IT\">, entre pi\u00e8<\/span>ces tsiganes roumaines et hongroises, swing manouche mill\u00e9sim\u00e9, clins d\u2019\u0153il \u00e0 Django et compositions personnelles comme la superbe valse <span class=\"Aucun\"><i><span lang=\"NL\">Man<\/span><\/i><\/span><span class=\"Aucun\"><i><span lang=\"IT\">\u00e8<\/span><\/i><\/span><span class=\"Aucun\"><i><span lang=\"NL\">ge<\/span><\/i><\/span>.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Le son est pur, acoustique, complice \u2014 une vraie le\u00e7on de style et de transmission.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Avec <span class=\"Aucun\"><b><i><span lang=\"NL\">Gypsy Guitars 2<\/span><\/i><\/b><\/span>, le virtuose <b>Angelo Debarre,<\/b> prolonge brillamment l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>histoire entam\u00e9e en 1989.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Plus qu<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>une suite : un nouvel instant de gr\u00e2ce.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><b style=\"font-size: 14pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43290 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre.jpeg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre.jpeg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre-300x300.jpeg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre-150x150.jpeg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre-140x140.jpeg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre-100x100.jpeg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre-500x500.jpeg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Angelo-Debarre-350x350.jpeg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/b><\/p>\n<p class=\"Pardfaut\"><b style=\"font-size: 14pt;\">12- Hiromi \u2013 <\/b><span class=\"Aucun\" style=\"font-size: 14pt;\"><b><i><span lang=\"DE\">Out There<\/span><\/i><\/b><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">L\u2019incroyable pianiste nippone,<b> Hiromi Uehara<\/b> revient en force avec <span class=\"Aucun\"><b><i><span lang=\"DE\">Out There<\/span><\/i><\/b><\/span>, un 13e album explosif et foisonnant qui confirme, s<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>il \u00e9tait aujourd\u2019hui n\u00e9cessaire, son statut d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>ic\u00f4ne du jazz contemporain.<\/span><br \/>\n<span style=\"font-size: 14pt;\">\u00c0 la t\u00eate de son groupe <b>Sonicwonder <\/b>\u2014 avec <b>Hadrien Feraud, Gene Coye<\/b> et<b> Adam O<\/b><b><span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><\/b><b><span lang=\"ES-TRAD\">Farrill<\/span><\/b> \u2014 la pianiste m\u00eale fusion, funk, jazz acoustique et textures \u00e9lectroniques avec une virtuosit\u00e9 sid\u00e9<span lang=\"IT\">rante.<\/span><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\">Au c\u0153ur du disque, la suite en quatre mouvements <span class=\"Aucun\"><b><i><span lang=\"DE\">Out There<\/span><\/i><\/b><\/span> est un condens\u00e9 de sa vision : aventureuse, cin\u00e9matographique, libre.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Ailleurs, on passe de l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>ultra-rythm\u00e9 <span class=\"Aucun\"><i>Yes! Ramen!!<\/i><\/span> au n\u00e9o-soul de <span class=\"Aucun\"><i><span lang=\"NL\">Pendulum<\/span><\/i><\/span>, jusqu<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>au final ent\u00eatant <span class=\"Aucun\"><i><span lang=\"NL\">Balloon Pop<\/span><\/i><\/span><span lang=\"NL\">, bijou de groove <\/span>\u00e0 <span lang=\"PT\">la Miles Davis.<\/span><\/span><\/p>\n<\/div>\n<div>\n<p class=\"Pardfaut\"><span style=\"font-size: 14pt;\"><b>Hiromi<\/b> signe ici un disque g\u00e9n\u00e9reux, \u00e9clatant, jubilatoire \u2014 une c\u00e9l\u00e9bration du retour \u00e0 <span lang=\"IT\">la sc\u00e8<\/span>ne, \u00e0 la vie, \u00e0 l<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>imaginaire sans limite.<\/span><br \/>\n<span style=\"font-size: 14pt;\">Un feu d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span><span lang=\"IT\">artifice sonore<\/span>\u2026 et une joie contagieuse.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-43292 aligncenter\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi.jpg 600w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2025\/05\/Hiromi-350x350.jpg 350w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/p>\n<p><span style=\"font-size: 14pt;\">NB : L&rsquo;ordre de pr\u00e9sentation de ces albums n&rsquo;a aucune valeur.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>[COULEURS JAZZ MONTH \u2013 THE BEST OF!] Sur COULEURS JAZZ RADIO \u2013 www.couleursjazzradio.fr: A l&rsquo;heure de Paris : lundi 16H, mardi 17H, mercredi 18H, jeudi 19H. Toronto time : at&#8230;<\/p>\n","protected":false},"author":66,"featured_media":43265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[2853,3749,9495,9496,3198,9500,3501,6921,2474,4306,9498,5456,2346,6289,9497,9499,9501,1322,9502,1789,3320],"class_list":{"0":"post-43295","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-angelo-debarre-fr","11":"tag-billy-hart-fr","12":"tag-cyrus-chestnut-fr","13":"tag-daniel-herskedal-fr","14":"tag-emmanuel-bex-fr","15":"tag-frank-anastasio-fr","16":"tag-hiromi-fr","17":"tag-ignasi-terraza","18":"tag-john-patitucci","19":"tag-neil-saidi-fr","20":"tag-new-london-big-band-fr","21":"tag-noe-codjia","22":"tag-pierre-boussaguet","23":"tag-romain-pilon-fr","24":"tag-sean-nelson-fr","25":"tag-serge-camps-fr","26":"tag-sonicwonder-fr","27":"tag-ulf-wakenius","28":"tag-yacouba-trio-fr","29":"tag-yotam-silberstein","30":"tag-yves-brouqui-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/43295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=43295"}],"version-history":[{"count":3,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/43295\/revisions"}],"predecessor-version":[{"id":43313,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/43295\/revisions\/43313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/43265"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=43295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=43295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=43295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}