{"id":40749,"date":"2024-04-25T15:13:28","date_gmt":"2024-04-25T14:13:28","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=40749"},"modified":"2024-04-25T11:47:49","modified_gmt":"2024-04-25T10:47:49","slug":"jean-jacques-milteau-key-to-the-highway","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/jean-jacques-milteau-key-to-the-highway\/","title":{"rendered":"Jean-Jacques Milteau &#8211; Key To The Highway"},"content":{"rendered":"<p><strong><span style=\"font-size: 14pt;\">Pourquoi le dernier JJ Milteau est une merveille?<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 14pt;\">D\u00e9monstration en 10 bonus :<\/span><\/strong><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; <strong>JJ Milteau<\/strong> est arriv\u00e9 \u00e0 un point culminant de son art<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; L&rsquo;envie de partager son jeu irradie dans chaque plage<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; Le discours est tenu par un double aboutissement : les notes sont sculpt\u00e9es, <\/span><br \/>\n<span style=\"font-size: 14pt;\">la narration coule comme une cascade. On dirait qu&rsquo;il joue de la slide guitare.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; <strong>JJ Milteau<\/strong> est devenu un grand ma\u00eetre du genre blues. <\/span><br \/>\n<span style=\"font-size: 14pt;\">Son jeu se nourrit de travail, de connaissances, de potentiel, et d&rsquo;exp\u00e9rience<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; Le r\u00e9pertoire de <strong>Milteau<\/strong> est polyvalent (country ; folk ; blues rural ; rock ; pop; blues \u00e9lectrique). Triomphe de l&rsquo;Americana !<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; Non seulement son style s&rsquo;adapte \u00e0 tous les genres, mais l&rsquo;artiste va plus loin. Dans <em>Sunshine of your Love<\/em> (Clapton), <\/span><span style=\"font-size: 14pt;\">il imagine une nouvelle attaque du solo (\u00e0 la place de celle, l\u00e9gendaire d&rsquo;Eric Clapton). Fallait oser&#8230;<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; Le sens des paroles n&rsquo;est pas anodin dans la s\u00e9lection des titres (le CD ouvre avec <em>Maggie&rsquo;s Farm<\/em>, de Bob Dylan).<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; Quatre chanteurs rejoignent <strong>Milteau<\/strong> sur les chansons (<strong>Carlton Moody<\/strong> est sublime sur <strong>Angel from Montgomery <\/strong>et <strong>Rainy Night in Georgia<\/strong> &#8211; <strong>Harrison Kennedy<\/strong> transfigure <em>Chain of Fools<\/em> &#8211; <strong>Mike Andersen<\/strong> rayonne dans <em>Sunshine of your Love<\/em> &#8211; <strong>Michael Robinson<\/strong> distribue les cadeaux avec <em>New Key to the Highway<\/em>, et Love the One You&rsquo;re With, le bijou de Stephen Stills)<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; <strong>JJ Milteau<\/strong> r\u00e9ussit l&rsquo;impossible : \u00e9noncer un solo sur<em> Rainy Night in Georgia<\/em>, la composition de Tony Joe White, immortalis\u00e9e par Otis Rush. M\u00eame Otis n&rsquo;a pas os\u00e9 se lancer pas dans un chorus&#8230;<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">&#8211; Enfin, perfection ultime, <strong>JJ<\/strong> se d\u00e9clare pr\u00eat \u00e0 tourner avec sa bande. Dans le genre BONNES NOUVELLES, voil\u00e0 qui promet. Voir son <a href=\"https:\/\/www.jjmilteau.net\/\">site.<\/a><\/span><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2lDRs2rgOikLJS7QxZg7YS?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><span style=\"font-size: 14pt;\">Musiciens :\u00a0<\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><strong><span class=\"ob ub\">Mike Andersen, Harrison Kennedy, Carlton Moody, Michael Robinson<\/span><\/strong><span class=\"ob ub\">\u00a0: voix<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong><span class=\"ob ub\">JJ Milteau<\/span><\/strong><span class=\"ob ub\"> : harmonicas\u00a0<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\"><span class=\"ob ub\"><strong>Johan Dalgaard<\/strong> :<\/span><span class=\"ob ub\"> Wurlitzer, B3, Clavinet\u00a0<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong><span class=\"ob ub\">Laurent Vernerey<\/span><\/strong><span class=\"ob ub\"> : contrebasse <\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong><span class=\"ob ub\">David Donatien<\/span><\/strong><span class=\"ob ub\"> : percussions<\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong><span class=\"ob ub\">Rapha\u00ebl Chassin<\/span><\/strong><span class=\"ob ub\">\u00a0: batterie <\/span><\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong><span class=\"ob ub\">Toma Milteau<\/span><\/strong><span class=\"ob ub\"> : batterie<\/span><\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><strong><em>Key To The Highway<\/em><\/strong> est sorti sous le label <strong>Dixiefrog<\/strong> le 29 mars 2024<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">L&rsquo;album est un \u00ab\u00a0<strong>Hit Couleurs Jazz<\/strong>\u00ab\u00a0. Il est en s\u00e9lection dans l&rsquo;\u00e9mission <strong>Couleurs Blues,<\/strong> sur <a href=\"https:\/\/couleursjazz.fr\/couleurs-jazz-radio\/\">Couleurs Jazz Radio<\/a> le samedi de 18H \u00e0 20H<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">\u00a9Photo Header <strong>Isabel Tabellion<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pourquoi le dernier JJ Milteau est une merveille? D\u00e9monstration en 10 bonus : &#8211; JJ Milteau est arriv\u00e9 \u00e0 un point culminant de son art &#8211; L&rsquo;envie de partager son&#8230;<\/p>\n","protected":false},"author":139,"featured_media":40740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,13,202,969],"tags":[8800,8804,8067,8802,8803,8806,4564,8801,8799,3584,8805],"class_list":{"0":"post-40749","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-a-la-une","8":"category-actualite","9":"category-dans-les-bacs","10":"category-hits-couleurs-jazz","11":"tag-carlton-moody-fr","12":"tag-david-donatien-fr","13":"tag-harrison-kennedy","14":"tag-jj-milteau-fr","15":"tag-johan-dalgaard-fr","16":"tag-key-to-the-highway-fr","17":"tag-laurent-vernerey-fr","18":"tag-michael-robinson-fr","19":"tag-mike-andersen-fr","20":"tag-raphael-chassin-fr","21":"tag-toma-milteau-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/40749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/139"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=40749"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/40749\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/40740"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=40749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=40749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=40749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}