{"id":40091,"date":"2024-02-12T09:32:01","date_gmt":"2024-02-12T08:32:01","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=40091"},"modified":"2024-02-23T19:03:29","modified_gmt":"2024-02-23T18:03:29","slug":"mamiko-watanabe-being-guided-by-the-light","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/mamiko-watanabe-being-guided-by-the-light\/","title":{"rendered":"Mamiko Watanabe &#8211; Being Guided By The Light"},"content":{"rendered":"<div>\n<p><span style=\"font-size: 14pt;\"><strong>Autre terre de jazz, le Japon r\u00e9serve d\u2019excellentes surprises. A l\u2019image de la pianiste\/compositrice Mamiko Watanabe.<\/strong><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Jimmy Rowles, Tadd Dameron, John Hicks ou encore\u00a0 McCoy Tyner : rien de nouveau sous le soleil levant\u00a0? Si\u00a0justement ! Mlle<span class=\"apple-converted-space\">\u00a0<\/span><strong>Mamiko Watanabe\u00a0!<\/strong><b><\/b><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Pour son cinqui\u00e8me disque en tant que leader, \u00ab\u00a0<em><b>Being Guided By Light<\/b><\/em>\u00a0\u00bb (JoJo Records\/Socadisc \u2013 parution le 23 f\u00e9vrier), la jeune femme \u2013 qui a d\u00e9marr\u00e9 le piano \u00e0 l\u2019\u00e2ge de 4 ans \u00e0 la Yamaha Music School avant d\u2019obtenir une bourse pour int\u00e9grer la prestigieuse Berklee School of Music de Boston, de se faire remarquer \u00e0 deux reprises au concours de piano solo du festival de Montreux et d\u2019accompagner des pointures comme Joe Lovano ou Bobby McFerrin notamment \u2013 a choisi de convoquer les esprits de certains de ses mentors au milieu de ses propres compositions.<\/span><\/p>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"Mamiko Watanabe - Being Guided by the Light (Single Promo Video)\" width=\"1080\" height=\"810\" src=\"https:\/\/www.youtube.com\/embed\/b2hrlUMuBzs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<div>\n<p><span style=\"font-size: 14pt;\">Et c\u2019est ainsi que \u00ab\u00a0guid\u00e9e par leur lumi\u00e8re\u00a0\u00bb et en compagnie de<span class=\"apple-converted-space\">\u00a0<\/span><strong>Santi Debriano<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(contrebasse) et du v\u00e9n\u00e9rable<span class=\"apple-converted-space\">\u00a0<\/span><strong>Billy Hart<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>(batteur, 83 ans), elle irradie avec flamboyance, d\u2019un \u00e9clat radieux et d\u2019un touch\u00e9 pianistique d\u00e9licat, inspir\u00e9 et \u00e9l\u00e9gant aussi bien les compositions\/standards de ses a\u00een\u00e9s \u2013 \u00ab\u00a0<em>Pas de trois<\/em>\u00a0\u00bb (John Hicks), \u00ab\u00a0<em>The Peacock<\/em>\u00a0\u00bb (Jimmy Rowles), \u00ab\u00a0<em>The Scene is Clean<\/em>\u00a0\u00bb (Tadd Dameron), \u00ab\u00a0<em>Island Birdie<\/em>\u00a0\u00bb (McCoy Tyner) \u2013 que son propre travail ou celui de son bassiste dans \u00ab\u00a0<em>Nigeria\u00a0<\/em>\u00bb, ponctu\u00e9 d\u2019un formidable et endiabl\u00e9 solo de batterie\u00a0!<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Dans ce nouvel opus, la brillante pianiste japonaise \u2013 aux commandes d\u2019un trio d\u2019une parfaite homog\u00e9n\u00e9it\u00e9 et coh\u00e9sion \u2013 a consacr\u00e9 toute son \u00e9nergie cr\u00e9ative et stylistique \u00e0 cr\u00e9er des climats musicaux dans lequel le swing est omnipr\u00e9sent \u00e0 la fois dans son essence et dans sa modernit\u00e9.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">Une belle et passionnante conversation \u00e0 trois.<\/span><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3vcdvv8byTVa4E2Svlb56j?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<div>\n<p><span lang=\"EN-US\" style=\"font-size: 14pt;\">Personnel :<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong><span lang=\"EN-US\">Mamiko Watanabe<\/span><\/strong><span class=\"apple-converted-space\"><b><span lang=\"EN-US\">\u00a0<\/span><\/b><\/span><span lang=\"EN-US\">: piano<\/span><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong><span lang=\"EN-US\">Santi Debriano<\/span><\/strong><span class=\"apple-converted-space\"><b><span lang=\"EN-US\">\u00a0<\/span><\/b><\/span><span lang=\"EN-US\">: contrebasse<\/span><\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><strong><span lang=\"EN-US\">Billy Hart<\/span><\/strong><span class=\"apple-converted-space\"><b><span lang=\"EN-US\">\u00a0<\/span><\/b><\/span><span lang=\"EN-US\">: batterie<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\"><em><b>Being Guided By Light<\/b><\/em>, Hit Couleurs Jazz, sera d\u00e8s la sortie officielle de l\u2019album en S\u00e9lection sur Couleurs Jazz Radio et \u00e0 n\u2019en pas douter, devrait faire partie du \u00ab\u00a0Best of the Month\u00a0\u00bb.<\/span><\/p>\n<\/div>\n<div>\n<p><span style=\"font-size: 14pt;\">L\u2019album est produit par<span class=\"apple-converted-space\">\u00a0<\/span><strong>Simon Belelty<\/strong><span class=\"apple-converted-space\">\u00a0<\/span>sur l\u2019excellent label<span class=\"apple-converted-space\">\u00a0<\/span><a href=\"https:\/\/www.jojorecords.com\/\"><strong>Jojo Records<\/strong><\/a><span class=\"apple-converted-space\">\u00a0<\/span>et sera disponible \u00e0 la vente (vinyls) et sur les principales plateformes d\u00e8s le 23 f\u00e9vrier prochain.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Autre terre de jazz, le Japon r\u00e9serve d\u2019excellentes surprises. A l\u2019image de la pianiste\/compositrice Mamiko Watanabe. Jimmy Rowles, Tadd Dameron, John Hicks ou encore\u00a0 McCoy Tyner : rien de nouveau&#8230;<\/p>\n","protected":false},"author":46,"featured_media":40064,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[8580,3749,8105,8098],"class_list":{"0":"post-40091","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-being-guided-by-light-fr","11":"tag-billy-hart-fr","12":"tag-mamiko-watanabe-fr","13":"tag-santi-debriano-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/40091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=40091"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/40091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/40064"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=40091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=40091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=40091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}