{"id":37814,"date":"2023-06-11T08:52:52","date_gmt":"2023-06-11T07:52:52","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=37814"},"modified":"2023-06-11T09:00:39","modified_gmt":"2023-06-11T08:00:39","slug":"encore-un-morceau-oui-317-east-32nd-street","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/encore-un-morceau-oui-317-east-32nd-street\/","title":{"rendered":"Encore un Morceau ?&#8230; Oui ! 317 East 32nd Street"},"content":{"rendered":"<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\">Artiste : <strong>Mark Turner<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\">Morceau : <strong>317 East 32nd Street<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\">CD : <strong>Mark Turner<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Quand il \u00e9tait \u00e9tudiant au Berklee college, <strong>Mark Turner<\/strong> cherchait une alternative \u00e0 l&rsquo;id\u00e9ologie post-bebop dominante et la d\u00e9couverte du pianiste Lennie Tristano et du saxophoniste Warne Marsh lui a ouvert de nouvelles portes.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Sur son premier disque pour Warner, <strong>Turner<\/strong> inclut &#8211; entre autres th\u00e8mes de John Coltrane, d\u2019Ornette Coleman ou de \u00a0lui-m\u00eame &#8211; ce classique \u00e9crit par le pianiste aveugle de Chicago, et il invite son ami <strong>Joshua Redman<\/strong> \u00e0 se joindre \u00e0 lui.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">C&rsquo;est l&rsquo;occasion d&rsquo;appr\u00e9cier la fa\u00e7on dont <strong>Turner<\/strong> a assimil\u00e9 l&rsquo;approche lin\u00e9aire que pr\u00f4nait Tristano, et de se d\u00e9lecter de sa ma\u00eetrise de tout le registre de son t\u00e9nor.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Redman<\/strong>, au contraire, n&rsquo;est manifestement pas tr\u00e8s vers\u00e9 dans l&rsquo;esth\u00e9tique de Tristano et son solo est essentiellement marqu\u00e9 par l&rsquo;idiome bop.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Un contraste int\u00e9ressant entre deux jeunes t\u00e9nors des ann\u00e9es quatre-vingt-dix : l&rsquo;un d&rsquo;eux est rapidement devenu une star, la qu\u00eate de l&rsquo;autre est toujours en cours.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Profitez de l\u2019opportunit\u00e9 de pouvoir l\u2019\u00e9couter ici sans d\u00e9lai :<\/span><\/p>\n<p style=\"font-weight: 400;\"><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/59XWQv8eVP0aYVqbOWGV0Z?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><span style=\"font-size: 14pt;\">\u2026 et\/ou toute la semaine du 12 juin au 18 juin 2023 \u00e0 6H et \u00e0 20H sur\u00a0 <a href=\"https:\/\/couleursjazz.fr\/fr\/couleurs-jazz-radio\/\"><strong>Couleurs Jazz Radio<\/strong><\/a>.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Musiciens:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Mark Turner<\/strong>, <strong>Joshua Redman\u00a0<\/strong>: saxophone tenor<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Edward Simon\u00a0<\/strong>: piano<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Christopher Thomas\u00a0<\/strong>: contrebasse<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Brian Blade\u00a0<\/strong>: batterie<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Composition : Lennie Tristano.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><em>Mark Turner<\/em> <\/strong>est sorti en 1998 sous le label\u00a0<strong>Warner Records.<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artiste : Mark Turner Morceau : 317 East 32nd Street CD : Mark Turner Quand il \u00e9tait \u00e9tudiant au Berklee college, Mark Turner cherchait une alternative \u00e0 l&rsquo;id\u00e9ologie post-bebop dominante&#8230;<\/p>\n","protected":false},"author":178,"featured_media":37809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[4953,2858,7968,3138,304],"class_list":{"0":"post-37814","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-afro-blue-remastered","11":"tag-brian-blade-fr","12":"tag-christopher-thomas-fr","13":"tag-joshua-redman-fr","14":"tag-mark-turner"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=37814"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37814\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/37809"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=37814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=37814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=37814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}