{"id":37343,"date":"2023-05-04T09:07:16","date_gmt":"2023-05-04T08:07:16","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=37343"},"modified":"2023-05-04T09:08:01","modified_gmt":"2023-05-04T08:08:01","slug":"jerome-etcheberry-satchmocracy-vol-2","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/jerome-etcheberry-satchmocracy-vol-2\/","title":{"rendered":"J\u00e9r\u00f4me Etcheberry \u2013 Satchmocracy, Vol. 2"},"content":{"rendered":"<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Louis Armstrong fut pour les jazzmen des ann\u00e9es d&rsquo;avant-guerre une r\u00e9f\u00e9rence incontournable. <\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">D\u00e8s leurs parutions, ses disques \u00e9taient analys\u00e9s, diss\u00e9qu\u00e9s car ils montraient la voie dans laquelle s&rsquo;engageait le jazz. Il n&rsquo;est donc pas \u00e9tonnant que nombre de ses coll\u00e8gues, toutes g\u00e9n\u00e9rations confondues, lui aient rendu hommage.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Citons parmi eux, Bobby Hackett avec l&rsquo;album \u00ab\u00a0<em>Hello Louis\u00a0! <\/em><em>Plays The Music of Louis Armstrong<\/em>\u00a0\u00bb (<em>Epic, 1964),<\/em> le Dutch Swing College Band (\u00ab\u00a0<em>Tribute To Louis Armstrong<\/em>\u00ab\u00a0, <em>Fontana, 1966),<\/em> Freddie Hubbard (\u00ab\u00a0<em>Salute to Pops, Soul Note, 1987<\/em>) et, maintenant, <strong>J\u00e9r\u00f4me Etcheberry <\/strong>avec ce <strong><em>Satchmocracy volume 2<\/em><\/strong>.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Pour r\u00e9ussir dans son entreprise, <strong>J\u00e9r\u00f4me Etcheberry<\/strong> a r\u00e9uni l&rsquo;\u00e9quipe qui avait assur\u00e9 avec comp\u00e9tence et talent le succ\u00e8s du <em>volume 1<\/em> de cette s\u00e9rie. Il a aussi \u00e9crit d&rsquo;une plume experte des arrangements insufflant \u00e0 ces interpr\u00e9tations ce rythme chaloup\u00e9 si typique de la musique de la Nouvelle-Orl\u00e9ans ; la pr\u00e9sence d&rsquo;instruments \u00e9trangers au contexte orchestral de l&rsquo;\u00e9poque (orgue, guitare \u00e9lectrique), l&rsquo;utilisation intelligente des saxophones, le jeu des deux trompettistes, les interventions des diff\u00e9rents solistes apportant \u00e0 l&rsquo;ensemble des couleurs sonores in\u00e9dites du meilleur effet.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Ainsi, bien plus qu&rsquo;une simple remise aux go\u00fbts du jour, cette approche r\u00e9v\u00e8le des splendeurs cach\u00e9es de la musique de Louis Armstrong qui, presque cent ans plus tard, n&rsquo;a rien perdu de sa modernit\u00e9.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Un album r\u00e9ussi.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"SATCHMOCRACY - INTRODUCTION VOLUME 2 - J\u00e9rome Etcheberry\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/SndngFY_ShE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Musiciens\u00a0:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/J\u00e9r\u00f4me_Etcheberry\"><strong>J\u00e9r\u00f4me Etcheberry<\/strong><\/a>\u00a0: trompette, bugle, arrangements<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Malo Mazuri\u00e9<\/strong>\u00a0: trompette<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>C\u00e9sar Poirier<\/strong>\u00a0: clarinette, saxophone t\u00e9nor<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Benjamin Dousteyssier<\/strong>\u00a0: saxophones alto et baryton<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Ludovic Allainmat<\/strong>\u00a0: piano, orgue<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>F\u00e9lix Hunot<\/strong>\u00a0: banjo, guitare<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>S\u00e9bastien Girardot<\/strong>\u00a0: contrebasse<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>David Gr\u00e9bil<\/strong>\u00a0: batterie.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Enregistr\u00e9 au <strong>Studio de Meudon<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><em>Satchmocracy, Vol. 2<\/em><\/strong> est sorti en avril 2023 sous le label <a href=\"https:\/\/www.camille-productions.com\"><strong>Camille Productions<\/strong><\/a> et est distribu\u00e9 par <strong>Socadisc.<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\">\n","protected":false},"excerpt":{"rendered":"<p>Louis Armstrong fut pour les jazzmen des ann\u00e9es d&rsquo;avant-guerre une r\u00e9f\u00e9rence incontournable. D\u00e8s leurs parutions, ses disques \u00e9taient analys\u00e9s, diss\u00e9qu\u00e9s car ils montraient la voie dans laquelle s&rsquo;engageait le jazz&#8230;.<\/p>\n","protected":false},"author":84,"featured_media":37335,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[4660,3222,5735,5733,5737,5732,5731,7807,2341,7808],"class_list":{"0":"post-37343","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-benjamin-dousteyssier","11":"tag-cesar-poirier-fr","12":"tag-david-grebil","13":"tag-felix-hunot","14":"tag-jerome-etcheberry-fr","15":"tag-ludovic-allainmat","16":"tag-malo-mazurie","17":"tag-satchmocracy","18":"tag-sebastien-girardot","19":"tag-vol-2"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/84"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=37343"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37343\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/37335"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=37343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=37343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=37343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}