{"id":37201,"date":"2023-04-20T08:15:50","date_gmt":"2023-04-20T07:15:50","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=37201"},"modified":"2023-04-20T08:24:19","modified_gmt":"2023-04-20T07:24:19","slug":"mark-guiliana-the-sound-of-listening","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/mark-guiliana-the-sound-of-listening\/","title":{"rendered":"Mark Guiliana &#8211; The Sound of Listening"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong><span style=\"font-size: 14pt;\">Voici maintenant une dizaine d\u2019ann\u00e9es que le batteur Mark Guiliana enregistre en leader parall\u00e8lement \u00e0 une carri\u00e8re assez \u00e9clectique en sideman ou co-leader, entre autres avec le pianiste Brad Mehldau, la bassiste-productrice Meshell Ndegeocello ou le saxophoniste Donny McCaslin. <\/span><\/strong><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Jeune quadrag\u00e9naire, <strong>Guiliana<\/strong> est un des batteurs les plus en vue de la sc\u00e8ne am\u00e9ricaine et il s\u2019int\u00e9resse parall\u00e8lement aux manipulation \u00e9lectroniques dont il fait, sur le pr\u00e9sent CD \u2014 son premier pour le label britannique Edition \u2014, un usage assez mod\u00e9r\u00e9. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Sur un r\u00e9pertoire enti\u00e8rement compos\u00e9 par lui, <strong>Guiliana<\/strong> a embauch\u00e9 le pianiste-clavi\u00e9riste <strong>Shai Maestro<\/strong> et deux de ses partenaires familiers, <strong>Jason Rigby<\/strong> aux anches et flute et <strong>Chris Morrissey<\/strong> \u00e0 la contrebasse. <\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Mark Guiliana - &#039;the most important question&#039; (official video)\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/nWougERgnrE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Ce quartet de multi-instrumentistes propose une musique dense et chatoyante avec un son de groupe tant\u00f4t acoustique tant\u00f4t \u00e9lectrique auquel chaque partenaire participe de fa\u00e7on magistrale. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Sur des rythmiques tant\u00f4t ternaires tant\u00f4t binaires les musiciens prennent par moment des solos inspir\u00e9s sans jamais tirer la couverture \u00e0 eux et c\u2019est avant tout l\u2019effort collectif qui est mis en avant. <strong>Guiliana<\/strong> appara\u00eet ici comme un leader d\u2019envergure qui sait bien s\u2019entourer et propose une musique au parfum original et toujours parfaitement lisible sans jamais tomber dans la joliesse ni dans l\u2019abstraction. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Un beau disque au total qu\u2019on ne se lasse pas de r\u00e9\u00e9couter.<\/span><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/10LpNn6t8QZbbOIWqGTiEN?utm_source=generator\" width=\"100%\" height=\"720\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Musiciens :<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mark_Guiliana\"><strong>Mark Guiliana<\/strong><\/a> :\u00a0batterie, synth\u00e9s, percussions, programmation, composition<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Jason Rigby\u00a0<\/strong>: sax t\u00e9nor, clarinette, clarinette basse, fl\u00fbte<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Shai Maestro\u00a0<\/strong>: piano, claviers<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Chris Morrissey\u00a0<\/strong><span style=\"font-weight: 400;\">: contrebasse<\/span><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><em>The Sound of Listening<\/em><\/strong><strong> \u00a0<\/strong>est sorti en octobre 2022 sous le label <a href=\"https:\/\/editionrecords.com\"><strong>Edition Records<\/strong><\/a>.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>\u00a9Photo header Dave Stapleton<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Voici maintenant une dizaine d\u2019ann\u00e9es que le batteur Mark Guiliana enregistre en leader parall\u00e8lement \u00e0 une carri\u00e8re assez \u00e9clectique en sideman ou co-leader, entre autres avec le pianiste Brad Mehldau,&#8230;<\/p>\n","protected":false},"author":178,"featured_media":37199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[7757,7756,7755,200,7758],"class_list":{"0":"post-37201","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-chris-morrissey-fr","11":"tag-jason-rigby-fr","12":"tag-mark-guiliana-fr","13":"tag-shai-maestro","14":"tag-the-sound-of-listening-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=37201"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37201\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/37199"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=37201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=37201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=37201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}