{"id":37149,"date":"2023-04-08T11:04:46","date_gmt":"2023-04-08T10:04:46","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=37149"},"modified":"2023-04-08T13:51:06","modified_gmt":"2023-04-08T12:51:06","slug":"encore-un-morceau-oui-the-visit","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/encore-un-morceau-oui-the-visit\/","title":{"rendered":"Encore un Morceau ?&#8230; Oui, The Visit"},"content":{"rendered":"<p><span style=\"font-size: 18pt;\">Artiste : <strong>Pat Martino<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18pt;\">Morceau : <strong>The visit<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18pt;\">CD :\u00a0<strong><span lang=\"EN-US\">Footprints<\/span><\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Pat Martino<\/strong> est unanimement reconnu comme l&rsquo;un des plus grands stylistes de la guitare \u00e0 \u00eatre apparu apr\u00e8s Wes Montgomery et avant la g\u00e9n\u00e9ration influenc\u00e9e par le rock des John Scofield\/Pat Metheny\/Bill Frisell\/Mike Stern.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Ce statut \u00ab\u00a0interm\u00e9diaire\u00a0\u00bb est peut-\u00eatre la raison pour laquelle il est souvent consid\u00e9r\u00e9 comme un musicien pour musiciens.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Mais bien qu&rsquo;il ait \u00e9t\u00e9 un ami et un admirateur de Montgomery, <strong>Martino<\/strong> a r\u00e9ussi \u00e0 se forger un style personnel loin de l&rsquo;ombre du g\u00e9ant.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Ce blues basique avec sa m\u00e9lodie simple et funky et son rythme infectieux en 6\/8 est un bon exemple de la virtuosit\u00e9 et de la cr\u00e9ativit\u00e9 de <strong>Martino<\/strong>.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Sa guitare semble produire sans effort des chorus magnifiquement construits les uns apr\u00e8s les autres, jusqu&rsquo;\u00e0 ce qu&rsquo;elle am\u00e8ne tout le groupe \u00e0 un point culminant d&rsquo;exaltation joyeuse.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Une sorte de correspondance parfaite entre la forme et le feeling.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Profitez de pouvoir l\u2019\u00e9couter sans d\u00e9lai ici :<\/span><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/6vGWO0ye1lgd5MwLJ8kyxO?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><span style=\"font-size: 14pt;\">\u00a0\u2026 et\/ou toute la semaine du 09 au 16 avril 2023 \u00e0 6H et \u00e0 20H sur\u00a0 <a href=\"https:\/\/couleursjazz.fr\/fr\/couleurs-jazz-radio\/\"><strong>Couleurs Jazz Radio<\/strong><\/a>.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Musiciens\u00a0:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pat_Martino\"><strong>Pat Martino <\/strong><\/a>: lead guitare, compositions<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Bobby Rose\u00a0<\/strong>: \u00a0guitare Rythmique<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Richard Davis\u00a0<\/strong>: contrebasse<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Billy Higgins\u00a0<\/strong>: batterie<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><em>Footprints<\/em><\/strong>\u00a0est sorti sous le label <a href=\"https:\/\/en.wikipedia.org\/wiki\/32_Records\"><strong>32 Jazz<\/strong><\/a> en 1972.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artiste : Pat Martino Morceau : The visit CD :\u00a0Footprints Pat Martino est unanimement reconnu comme l&rsquo;un des plus grands stylistes de la guitare \u00e0 \u00eatre apparu apr\u00e8s Wes Montgomery&#8230;<\/p>\n","protected":false},"author":178,"featured_media":37144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[7735,7733,7736,5931,7734],"class_list":{"0":"post-37149","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-billy-higgins-fr","11":"tag-bobby-rose-fr","12":"tag-footprints-fr","13":"tag-pat-martino-fr","14":"tag-richard-davis-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=37149"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/37149\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/37144"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=37149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=37149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=37149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}