{"id":36731,"date":"2023-02-25T13:08:43","date_gmt":"2023-02-25T12:08:43","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=36731"},"modified":"2023-02-25T13:16:03","modified_gmt":"2023-02-25T12:16:03","slug":"encore-un-morceau-oui-mama-too-tight","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/encore-un-morceau-oui-mama-too-tight\/","title":{"rendered":"Encore un Morceau ?&#8230; Oui, Mama Too Tight"},"content":{"rendered":"<p><span style=\"font-size: 18pt;\"><strong>Morceau : Mama Too Tight<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18pt;\"><strong>CD : Mama Too Tight<\/strong><\/span><\/p>\n<p><span style=\"font-size: 18pt;\"><strong>Artiste : Archie Shepp<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Bien que souvent consid\u00e9r\u00e9 &#8211; dans les ann\u00e9es soixante &#8211; comme l&rsquo;un des intellectuels les plus orient\u00e9s politiquement du mouvement free jazz, <strong>Archie<\/strong> <strong>Shepp<\/strong> a toujours pr\u00f4n\u00e9 et maintenu un lien avec les racines populaires de la musique afro-am\u00e9ricaine.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Ce morceau est un bon exemple de th\u00e8me de type \u00ab\u00a0marching band\u00a0\u00bb, jou\u00e9 de mani\u00e8re volontairement d\u00e9tendue et non sophistiqu\u00e9e, loin des cris et hurlements auxquels on pourrait s&rsquo;attendre.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">En fait, le solo de t\u00e9nor de <strong>Shepp<\/strong>, vers la fin du morceau, est le seul qui exprime la col\u00e8re et la r\u00e9volte.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Et en effet, il fait sonner le groupe un peu comme s&rsquo;il dansait pour ne pas pleurer.<\/span><\/p>\n<p style=\"font-weight: 400;\">Profitez de pouvoir l\u2019\u00e9couter sans d\u00e9lai ici :<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/31UVIDtSNHAc0jO4Wvgln2?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><span style=\"font-size: 14pt;\">\u2026 et\/ou toute la semaine (du 27 f\u00e9vrier au 5 mars 2023) \u00e0 6H et \u00e0 20H sur\u00a0<a href=\"https:\/\/couleursjazz.fr\/fr\/couleurs-jazz-radio\/\"><strong>Couleurs Jazz Radio<\/strong><\/a>.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Musiciens :<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Archie_Shepp\">Archie Shepp<\/a> <\/strong>:\u00a0<\/span><span style=\"font-size: 14pt;\">sax t\u00e9nor, composition<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Perry Robinson\u00a0<\/strong>: clarinette<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Tommy Turrentine\u00a0<\/strong>: trompette<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Grachan Moncur III, Roswell Rudd\u00a0<\/strong>: trombones<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Howard Johnson\u00a0<\/strong>: tuba<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Charlie Haden\u00a0<\/strong>: basse<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Beaver Harris\u00a0<\/strong>: batterie<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><em>Mama Too Tight<\/em><\/strong><span style=\"font-weight: 400;\"> est sorti sous le label <\/span><\/span><span style=\"font-size: 14pt;\">\u00a0<a href=\"https:\/\/www.impulserecords.com\/#\/\"><strong><em>Impulse<\/em><\/strong><\/a>\u00a0en 1966.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Morceau : Mama Too Tight CD : Mama Too Tight Artiste : Archie Shepp Bien que souvent consid\u00e9r\u00e9 &#8211; dans les ann\u00e9es soixante &#8211; comme l&rsquo;un des intellectuels les plus&#8230;<\/p>\n","protected":false},"author":178,"featured_media":36724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[1306,7603,7602,7600,6246,7598,7601,7599],"class_list":{"0":"post-36731","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-archie-shepp","11":"tag-beaver-harris-fr","12":"tag-charlie-haden-fr","13":"tag-grachan-moncur-iii-fr","14":"tag-howard-johnson","15":"tag-perry-robinson-fr","16":"tag-roswell-rudd-fr","17":"tag-tommy-turrentine-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/36731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=36731"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/36731\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/36724"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=36731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=36731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=36731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}