{"id":35791,"date":"2023-01-11T00:02:44","date_gmt":"2023-01-10T23:02:44","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=35791"},"modified":"2023-01-11T00:40:52","modified_gmt":"2023-01-10T23:40:52","slug":"chad-mccullough-bram-weijters-imaginary-sketches","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/chad-mccullough-bram-weijters-imaginary-sketches\/","title":{"rendered":"Chad McCullough &#038; Bram Weijters &#8211; Imaginary Sketches"},"content":{"rendered":"<h3 style=\"font-weight: 400;\"><strong><span style=\"font-size: 14pt;\">Encore des musiciens dont on ne parle que peu et dont le label <em>Origin <\/em>s\u2019est un peu fait le sp\u00e9cialiste. Le trompettiste et bugliste de Seattle Chad McCullough et le pianiste anversois Bram Weijters qui poursuivent une longue collaboration, sont ici pr\u00e9sent\u00e9s en quartet sur leurs propres compositions.<\/span><\/strong><\/h3>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Cet enregistrement pour peu r\u00e9cent qu\u2019il est, fait partie des nombreuses r\u00e9alisations du trompettiste, musicien prolixe si il en est. L\u2019atmosph\u00e8re est \u00e0 l\u2019intimisme renforc\u00e9 par le dialogue entre les deux comp\u00e8res soutenus par une rythmique \u00e0 la hauteur du discours.<\/span><\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Chad-image-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35787\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Chad-image-1.jpg\" alt=\"\" width=\"850\" height=\"879\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Chad-image-1.jpg 850w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Chad-image-1-290x300.jpg 290w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Chad-image-1-768x794.jpg 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/a><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">D\u2019un son tr\u00e8s feutr\u00e9 par l\u2019utilisation de sourdine (<em>Burning Question<\/em>) \u00e0 une \u00e9vocation cuivr\u00e9e tr\u00e8s ouverte (<em>Is That It\u00a0?<\/em>), <strong>Chad McCullough<\/strong> d\u00e9montre ses capacit\u00e9s d\u2019instrumentiste en d\u00e9veloppant un discours tr\u00e8s technique et v\u00e9loce sans se d\u00e9partir pour autant d\u2019un charme harmonique bien compl\u00e9t\u00e9 par le jeu de son trio. Les rythmes enlev\u00e9s s\u2019entrecroisent avec des tempi plus lents, le jeu de question r\u00e9ponse entre trompettiste et pianiste se conjuguant parfaitement \u00e0 tous ces temps.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Une association qui promeut un jazz moderne, presque contemporain, mais dont les compositions originales n\u2019oublient pas les r\u00e9f\u00e9rences \u00e0 un bop tr\u00e8s soign\u00e9.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Des musiciens \u00e0 d\u00e9couvrir sans h\u00e9siter en allant glaner dans leur discographie d\u00e9j\u00e0 abondante dont la qualit\u00e9 ne se d\u00e9ment pas.<\/span><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2Fjh99bUWN8aFGmXRhq8QV?utm_source=generator\" width=\"100%\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Personnel\u00a0:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Chad McCullough<\/strong> : trompette &amp; bugle<\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong>Bram Weijters<\/strong> : piano<\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong>Chuck Deardorf<\/strong> : contrebasse<\/span><br \/>\n<span style=\"font-size: 14pt;\"><strong>John Bishop<\/strong> : batterie<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Produit par\u00a0: <a href=\"https:\/\/originarts.com\/originrecords.php\"><strong>Origin Records<\/strong><\/a> (f\u00e9vrier 2011)<\/span><\/p>\n<p style=\"font-weight: 400;\"><em><strong><span style=\"font-size: 14pt;\">Imaginary Sketches <\/span><\/strong><\/em><strong><span style=\"font-size: 14pt;\">est en s\u00e9lection in <a href=\"https:\/\/couleursjazz.fr\/fr\/couleurs-jazz-radio\/\">Couleurs jazz Radio<\/a>!<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Encore des musiciens dont on ne parle que peu et dont le label Origin s\u2019est un peu fait le sp\u00e9cialiste. Le trompettiste et bugliste de Seattle Chad McCullough et le&#8230;<\/p>\n","protected":false},"author":132,"featured_media":35782,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[7331,7330,7332,7329,4595],"class_list":{"0":"post-35791","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-bram-weijters-fr","11":"tag-chad-mccullough-fr","12":"tag-chuck-deardorf-fr","13":"tag-imaginary-sketches-fr","14":"tag-john-bishop-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/35791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/132"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=35791"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/35791\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/35782"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=35791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=35791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=35791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}