{"id":35772,"date":"2023-01-07T23:35:53","date_gmt":"2023-01-07T22:35:53","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=35772"},"modified":"2023-01-07T23:25:38","modified_gmt":"2023-01-07T22:25:38","slug":"paolo-fresu-ferlinghetti","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/paolo-fresu-ferlinghetti\/","title":{"rendered":"Paolo Fresu &#8211; Ferlinghetti"},"content":{"rendered":"<h3 style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Quand Euterpe rencontre Calliope, ce pourrait \u00eatre l\u2019histoire du dernier disque de Paolo Fresu, inspir\u00e9 par Lawrence Ferlinghetti, po\u00e8te am\u00e9ricain de la <em>Beat<\/em> <em>Generation<\/em> et compagnon de route d\u2019Allen Ginsberg et de Jack Kerouac. <\/strong><\/span><\/h3>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Si Ferlinghetti estimait <em>qu\u2019un po\u00e8me est toujours un coup frapp\u00e9 \u00e0 la porte de l\u2019inconnu<\/em>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Paolo_Fresu\"><strong>Paolo Fresu<\/strong><\/a> nous ouvre ici cet inconnu en le traduisant par le souffle.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Qui mieux que la trompette sourdine et le bandon\u00e9on ne pouvait s\u2019associer pour rendre cet ode \u00e0 la po\u00e9sie. Ces souffles moelleux partag\u00e9s dans un \u00e9lan intime rendent toute la profondeur du projet et assimilent les notes \u00e9chang\u00e9es aux rimes embrass\u00e9es.<\/span><\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Paolo-Fresu-2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35769\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Paolo-Fresu-2.png\" alt=\"\" width=\"850\" height=\"723\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Paolo-Fresu-2.png 850w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Paolo-Fresu-2-300x255.png 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2023\/01\/Paolo-Fresu-2-768x653.png 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/a><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Soutenus par un pianiste et un bassiste qui m\u00ealent leur curiosit\u00e9 ouat\u00e9e aux pas po\u00e9tiques pos\u00e9s sur la partition, le quartet r\u00e9unis ici par <strong>Fresu<\/strong> vient conter une histoire qui \u00e0 l\u2019instar de celle d\u00e9j\u00e0 cont\u00e9e pour Chet Baker (le disque <em>Tempo Di Chet<\/em>), renouvelle l\u2019exp\u00e9rience de la monographie stylistique musicale.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Soliloques conjugu\u00e9s (<em>Ferlinghetti<\/em>), inspirations classiques (<em>The Macaronis Scene<\/em>), traits nostalgiques (<em>Where Books Were Trees<\/em>), danse curieuse (<em>Island of The Mind<\/em>), recueillement d\u2019adieux (<em>Back Roads To Far Places<\/em>)\u00a0 c\u2019est aussi un morceau de film italien qui d\u00e9file \u00e0 nos oreilles.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Tout dans cet enregistrement confin\u00e9 au souffle d\u00e9licat des sons, \u00e0 la libert\u00e9 des \u00e9vocations, impose une \u00e9coute r\u00e9v\u00e9rencieuse qui permet d\u2019autant la d\u00e9couverte d\u2019un moment de po\u00e9sie musicale tout \u00e0 la fois inventive et surann\u00e9e.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Un grand coup de chapeau \u00e0 ces quatre alchimistes du jazz qui pourront y planter leur plume de po\u00e8te.<\/span><\/p>\n<p><a href=\"https:\/\/youtu.be\/B4XMIt7UywQ\"><span style=\"font-size: 14pt;\">Voir Vid\u00e9o officielle<\/span><\/a><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Personnel\u00a0:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Paolo Fresu<\/strong><strong>\u00a0: <\/strong>trompette, bugle, effets<strong><br \/>\nDino Rubino<\/strong><strong>\u00a0:<\/strong> piano<strong><br \/>\nMarco Bardoscia<\/strong><strong>\u00a0:<\/strong> contrebasse<strong><br \/>\nDaniele Di Bonaventura<\/strong><strong>\u00a0:<\/strong> bandon\u00e9on<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/68AL3VoUvPAaBcS8sSlWvU?utm_source=generator\" width=\"100%\" height=\"880\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe>\u00a0<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><strong><span style=\"font-size: 14pt;\">Produit par le label\u00a0<a href=\"http:\/\/www.tukmusic.com\">Tuk Music<\/a> (2022)<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quand Euterpe rencontre Calliope, ce pourrait \u00eatre l\u2019histoire du dernier disque de Paolo Fresu, inspir\u00e9 par Lawrence Ferlinghetti, po\u00e8te am\u00e9ricain de la Beat Generation et compagnon de route d\u2019Allen Ginsberg&#8230;<\/p>\n","protected":false},"author":132,"featured_media":35766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[7322,7324,7321,7323,3201],"class_list":{"0":"post-35772","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-daniele-di-bonaventura-fr","11":"tag-dino-rubino-fr","12":"tag-ferlinghetti-fr","13":"tag-marco-bardoscia-fr","14":"tag-paolo-fresu-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/35772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/132"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=35772"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/35772\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/35766"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=35772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=35772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=35772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}