{"id":35641,"date":"2023-01-09T08:00:24","date_gmt":"2023-01-09T07:00:24","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=35641"},"modified":"2023-01-02T12:39:31","modified_gmt":"2023-01-02T11:39:31","slug":"encore-un-morceau-sarala","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/encore-un-morceau-sarala\/","title":{"rendered":"Encore un Morceau ?&#8230; Sarala"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong><span style=\"font-size: 24pt;\">CD\u00a0: Hank Jones Meets Cheick-Tidiane Seck and the Mandinkas &#8211; Sarala*\u00a0<\/span><\/strong><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\">Musiciens :<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\"><strong>Hank Jones<\/strong>: piano<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\"><strong>Cheick-Tidiane Seck<\/strong>: voix, orgue Hammond B-3 &amp; composition<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 18pt;\"><strong>The Mandinkas Band<\/strong><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">\u00ab\u00a0<em><strong>Sarala\u00a0<\/strong><\/em>\u00bb\u00a0est peut-\u00eatre le plus \u00e9trange de tous les enregistrements de <strong>Hank Jones<\/strong>, aussi bien en tant que sideman que comme leader. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">D&rsquo;autant plus que ce ma\u00eetre musicien, qui a jou\u00e9 avec presque tout le monde, de Coleman Hawkins \u00e0 Joe Lovano, au cours des soixante derni\u00e8res ann\u00e9es, n&rsquo;\u00e9tait jamais all\u00e9 en Afrique lorsqu&rsquo;il a rencontr\u00e9 <strong>Seck<\/strong> et ses musiciens du Mali \u00e0 Paris. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Quand, au bout de quelques minutes, le piano solo \u00e9merge de l&rsquo;\u00e9pais m\u00e9lange de rythmes africains, de chants, d&rsquo;orgue et de guitare \u00e9lectrique orchestr\u00e9 par <strong>Seck<\/strong>, il sonne avec l&rsquo;\u00e9vidence et la clart\u00e9 d&rsquo;un courant d&rsquo;eau pure s&rsquo;\u00e9coulant dans un paysage tropical dense. <strong>Jones <\/strong>et<strong> Seck<\/strong> donnent l&rsquo;impression d&rsquo;avoir fait se rencontrer les fleuves Mississippi et Niger. <\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Et cette rencontre musicalement r\u00e9ussie est aussi tr\u00e8s \u00e9mouvante, pour des raisons historiques \u00e9videntes.<\/span><\/p>\n<p style=\"font-weight: 400;\"><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/0C03dUiVXIW0KbgjuQsDwe?utm_source=generator\" width=\"100%\" height=\"120\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><span style=\"font-size: 14pt;\">(*)\u00a0Verve\u2014 Universal Music Division Decca Records \u00a0&#8211; France 1995\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CD\u00a0: Hank Jones Meets Cheick-Tidiane Seck and the Mandinkas &#8211; Sarala*\u00a0 Musiciens : Hank Jones: piano Cheick-Tidiane Seck: voix, orgue Hammond B-3 &amp; composition The Mandinkas Band \u00ab\u00a0Sarala\u00a0\u00bb\u00a0est peut-\u00eatre le&#8230;<\/p>\n","protected":false},"author":178,"featured_media":35637,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202],"tags":[7261,1257,7263,7262],"class_list":{"0":"post-35641","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"tag-cheik-tidiane-seck","10":"tag-hank-jones-fr-2","11":"tag-sarala-fr","12":"tag-the-mandinkas-band"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/35641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=35641"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/35641\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/35637"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=35641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=35641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=35641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}