{"id":34147,"date":"2022-07-04T08:54:52","date_gmt":"2022-07-04T07:54:52","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=34147"},"modified":"2022-07-04T08:56:47","modified_gmt":"2022-07-04T07:56:47","slug":"tchavolo-schmitt-miri-chterna","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/tchavolo-schmitt-miri-chterna\/","title":{"rendered":"Tchavolo Schmitt &#8211; Miri Chterna"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong><span style=\"font-size: 14pt;\">Tchavolo Schmitt perp\u00e9tue avec authenticit\u00e9 la grande tradition du jazz manouche incarn\u00e9e par Django Reinhardt. On trouve dans sa musique ce go\u00fbt de la chanson fran\u00e7aise et de la valse telle que la jouaient les grands accord\u00e9onistes des ann\u00e9es trente, l&rsquo;h\u00e9ritage tsigane et, bien s\u00fbr, le jazz.<\/span><\/strong><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">C&rsquo;est cet art unique que sert <strong>Tchavolo Schmitt<\/strong> au travers de ce disque. S&rsquo;imposent ici sa mani\u00e8re si personnelle de dessiner les contours d&rsquo;une m\u00e9lodie pour en r\u00e9v\u00e9ler la beaut\u00e9, ce sens de la note juste, ce phras\u00e9 \u00e9pur\u00e9, g\u00e9n\u00e9rateur de swing. Chez lui, aucun effet tape \u00e0 l&rsquo;\u0153il synonyme de bavardage ne vient alt\u00e9rer la force de son discours car <strong>Tchavolo<\/strong>poss\u00e8de la vraie virtuosit\u00e9, celle qui permet \u00e0 l&rsquo;interpr\u00e8te d&rsquo;ouvrir son c\u0153ur \u00e0 la musique en allant droit \u00e0 l&rsquo;essentiel.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Tout ceci est illustr\u00e9 par \u00ab\u00a0<em><strong>Miri Chterna<\/strong><\/em>\u00a0\u00bb enregistr\u00e9 le plus naturellement du monde en une journ\u00e9e au studio Ferber apr\u00e8s ses deux concerts au Duc des Lombards en compagnie du guitariste <strong>Julien Cattiaux<\/strong> et d&rsquo;<strong>\u00c9douard Pennes<\/strong> \u00e0 la contrebasse qui apportent une assise rythmique et m\u00e9lodique de premier ordre.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Compl\u00e9tant cette brillante \u00e9quipe, le clarinettiste <strong>C\u00e9sar Poirrier<\/strong> (<em>It Had To Be You<\/em>) et <strong>Bastien Brison<\/strong> au piano (<em>September Song<\/em>) jouent \u00e0 merveille le r\u00f4le d&rsquo;invit\u00e9 de luxe en amenant une touche de vari\u00e9t\u00e9 fort bienvenue \u00e0 un r\u00e9pertoire compos\u00e9 de standards du jazz (<em>Sheik of Araby<\/em>) et de classiques (<em>J&rsquo;attendrai<\/em> de Dino Olivieri et Nino Rastelli mis en valeur par un quatuor \u00e0 cordes. Ce recueil est le digne successeur de l&rsquo;album \u00ab\u00a0<em>Miri Familia<\/em><em>\u00a0\u00bb paru en 2001<\/em><em>.<\/em><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Personnel\u00a0:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Tchavolo Schmitt,<\/strong>\u00a0guitare lead<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Julien Cattiaux<\/strong>\u00a0guitare<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>\u00c9douard Pennes<\/strong>\u00a0contrebasse<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Guests\u00a0:<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Bastien Brison,<\/strong>\u00a0piano<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>C\u00e9sar Poirier,<\/strong>\u00a0clarinette<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Khoa-Nam Nguyen &amp; Thomas Descamps,<\/strong>\u00a0violon<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Issey Nadaud,<\/strong>\u00a0violon alto<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\"><strong>Alexis Derouin,<\/strong>\u00a0violoncelle<\/span><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/15fwr9nsJzCGFj1Xv26pmf?utm_source=generator\" width=\"100%\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Enregistr\u00e9 au Studio Ferber (Paris), le 17 janvier 2022.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"font-size: 14pt;\">Mambo Prod 180261\/ L&rsquo;autre distribution.<\/span><\/p>\n<p style=\"font-weight: 400;\">\n","protected":false},"excerpt":{"rendered":"<p>Tchavolo Schmitt perp\u00e9tue avec authenticit\u00e9 la grande tradition du jazz manouche incarn\u00e9e par Django Reinhardt. On trouve dans sa musique ce go\u00fbt de la chanson fran\u00e7aise et de la valse&#8230;<\/p>\n","protected":false},"author":84,"featured_media":34148,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,13,202,969],"tags":[5458,3222,4640,6612,6614,4079],"class_list":{"0":"post-34147","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-a-la-une","8":"category-actualite","9":"category-dans-les-bacs","10":"category-hits-couleurs-jazz","11":"tag-bastien-brison","12":"tag-cesar-poirier-fr","13":"tag-edouard-pennes-fr","14":"tag-julien-cattiaux","15":"tag-miri-chterna","16":"tag-tchavolo-schmitt-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/34147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/84"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=34147"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/34147\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/34148"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=34147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=34147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=34147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}