{"id":31623,"date":"2021-07-09T09:00:11","date_gmt":"2021-07-09T08:00:11","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=31623"},"modified":"2021-06-30T18:45:24","modified_gmt":"2021-06-30T17:45:24","slug":"dmitry-baevsky-soundtrack","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/dmitry-baevsky-soundtrack\/","title":{"rendered":"Dmitry Baevsky &#8211; Soundtrack"},"content":{"rendered":"<h3>Avec <em>Soundtrack<\/em>, le neuvi\u00e8me album publi\u00e9 sous son nom, le saxophoniste Dmitry Baevsky revient sur une trajectoire qui l&rsquo;a men\u00e9 de Saint-P\u00e9tersbourg, sa ville natale, \u00e0 Paris o\u00f9 il s&rsquo;installa en 2016 apr\u00e8s un s\u00e9jour de quinze ans \u00e0 New York.<\/h3>\n<p>Le r\u00e9pertoire du disque parcourt cet itin\u00e9raire riche en aventures humaines et en exp\u00e9riences musicales formatrices.<\/p>\n<p>Est d&rsquo;abord \u00e9voqu\u00e9e la Russie de ses jeunes ann\u00e9es \u00e0 travers le climat m\u00e9lancolique de <em>Evening Song<\/em> et de <em>Baltiyskaya<\/em>, une de ses compositions, et le rythme saccad\u00e9 de <em>Vamos Nessa<\/em> de Joao Donato.<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-31614\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM.jpg\" alt=\"\" width=\"850\" height=\"850\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM.jpg 850w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-768x768.jpg 768w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-350x350.jpg 350w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/dimitry-2-CJM-800x800.jpg 800w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/a><\/p>\n<p>Viennent ensuite des titres significatifs de son parcours am\u00e9ricain emprunt\u00e9s \u00e0 Sonny Rollins (<em>Grand Street<\/em>), Horace Silver (<em>The Jody Grind<\/em>), Ornette Coleman (<em>Invisible<\/em>), Ahmad Jamal (<em>Tranquility<\/em>) et Vernon Duke (<em>Autumn in New York<\/em>), <em>Afternoon in Paris<\/em> de John Lewis terminant l&rsquo;album par un hommage \u00e0 la ville lumi\u00e8res.<\/p>\n<p>Tous ces morceaux mettent en valeur la beaut\u00e9 de la sonorit\u00e9 du saxophoniste, le lyrisme naturel de son phras\u00e9 et sa mani\u00e8re si personnelle d&rsquo;exposer un th\u00e8me en racontant une histoire, celle de sa vie \u00e9crite de sa main dans le livret du CD, mais aussi celle de pans entiers de l&rsquo;\u00e9pop\u00e9e du jazz.<\/p>\n<p>Ses accompagnateurs trouvent toujours le ton juste comme des musiciens de haut rang savent le faire.<\/p>\n<p>Formant une \u00e9quipe soud\u00e9e, ils participent \u00e0 la r\u00e9ussite de ce recueil qui constitue un point fort de la discographie de <strong>Dmitry Baevsky<\/strong>.<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-31616\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM.jpg\" alt=\"\" width=\"850\" height=\"850\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM.jpg 850w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-300x300.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-150x150.jpg 150w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-768x768.jpg 768w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-100x100.jpg 100w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-140x140.jpg 140w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-500x500.jpg 500w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-350x350.jpg 350w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/06\/Dmitry-Baevsky-1CJM-800x800.jpg 800w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/a><\/p>\n<p>Interpr\u00e8tes :<\/p>\n<p><strong>Dmitry Baevsky<\/strong>, saxophone alto ;<\/p>\n<p><strong>Jeb Patton,<\/strong> piano ;<\/p>\n<p><strong>David Wong<\/strong>, contrebasse ;<\/p>\n<p><strong>Pete Van Nostrand<\/strong>, batterie.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3Ap2O5ETi8DcnAl4bOdoZh\" width=\"100%\" height=\"490\" frameborder=\"0\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Enregistr\u00e9 le 25 novembre 2019 aux Tedesco Studios (New Jersey).<\/p>\n<p><strong><em>Soundtrack<\/em><\/strong> est un album <strong>Fresh Sound New Talent FSNT 618 \/<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>\u00a9Photos Patrick Martineau<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Avec Soundtrack, le neuvi\u00e8me album publi\u00e9 sous son nom, le saxophoniste Dmitry Baevsky revient sur une trajectoire qui l&rsquo;a men\u00e9 de Saint-P\u00e9tersbourg, sa ville natale, \u00e0 Paris o\u00f9 il s&rsquo;installa&#8230;<\/p>\n","protected":false},"author":84,"featured_media":31620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[5765,5766,5768,5769,5767],"class_list":{"0":"post-31623","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-david-wrong","11":"tag-dmitry-baevsky-fr","12":"tag-jeb-patton-fr","13":"tag-pete-van-nostrand-fr","14":"tag-soundtrack-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/31623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/84"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=31623"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/31623\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/31620"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=31623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=31623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=31623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}