{"id":31263,"date":"2021-05-12T13:18:41","date_gmt":"2021-05-12T12:18:41","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=31263"},"modified":"2021-05-12T10:11:49","modified_gmt":"2021-05-12T09:11:49","slug":"snorre-kirk-going-up","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/snorre-kirk-going-up\/","title":{"rendered":"Snorre Kirk &#8211; Going Up"},"content":{"rendered":"<h2><strong>Swing nordique.<\/strong><\/h2>\n<h3>Alors que beaucoup de repr\u00e9sentant(e)s de la nouvelle g\u00e9n\u00e9ration de jazzmen\/women se battent pour toujours plus d&rsquo;originalit\u00e9, jusqu&rsquo;\u00e0 r\u00e9p\u00e9ter \u00e0 l&rsquo;infini une musique sans int\u00e9r\u00eat, <strong>Snorre Kirk<\/strong> a pr\u00e9f\u00e9r\u00e9 faire le choix du swing \u00e0 l&rsquo;ancienne. Celui enracin\u00e9 dans les ann\u00e9es 1940\/50.<\/h3>\n<p>Pour se convaincre de cette d\u00e9marche parfaitement anachronique dans un monde de clones, il suffit d&rsquo;\u00e9couter \u00ab\u00a0<em>Going Up<\/em>\u00a0\u00bb (Stunt Records).<\/p>\n<p>Ce qui est remarquable dans cet album c&rsquo;est que l&rsquo;int\u00e9gralit\u00e9 des compositions originales du batteur\/leader norv\u00e9gien, install\u00e9 au Danemark, r\u00e9pond \u00e0 des crit\u00e8res qui appartiennent aux canons d&rsquo;un jazz classique et swing oubli\u00e9 voire ignor\u00e9 de nos jours. Sans pastiche cependant mais avec authenticit\u00e9 et, sans doute, un brin de nostalgie.<\/p>\n<p><iframe loading=\"lazy\" title=\"Snorre Kirk - Tangerine Rhapsody\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/gc3pg_a3m04?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Ainsi, avec de merveilleux acolytes comme les saxophonistes-t\u00e9nors<strong> Stephen Riley<\/strong> (Etats-Unis, ex-Wynton Marsalis, Harry Connick ou Norah Jones), au jeu suave et enchanteur, et <strong>Jan Harbeck<\/strong>, irr\u00e9sistible disciple de Ben Webster &#8211; augment\u00e9s d&rsquo;une rythmique comprenant le fid\u00e8le <strong>Magnus Hjorth<\/strong> (piano) et <strong>Anders Fjeldsted<\/strong> (contrebasse) &#8211; il convoque p\u00eale-m\u00eale les esprits de Lester Young, Ben Webster, Coleman Hawkins, Paul Gonsalves et autres l\u00e9gendes d&rsquo;un jazz intemporel et immuable.<\/p>\n<p>Sans d\u00e9clencher de l\u00e9gendaires \u00ab\u00a0batailles de saxophones\u00a0\u00bb du pass\u00e9, bien au contraire, tout \u00e9tant dans la compl\u00e9mentarit\u00e9 du souffle, du phras\u00e9 et du respect pour la m\u00e9lodie.<\/p>\n<h3>Quand le bonheur \u00e0 l&rsquo;\u00e9tat pur est dans le jazz imp\u00e9rissable !<\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2Jsv8fQJq9yvJoUjjvKqqV\" width=\"100%\" height=\"420\" frameborder=\"0\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Interpr\u00e8tes :<\/strong><\/p>\n<p><strong>Snorre Kirk<\/strong>, batterie et compositions ;<\/p>\n<p><strong>Anders Fjeldsted<\/strong>, contrebasse ;<\/p>\n<p><strong>Stephen Riley, <\/strong>saxophone<strong> ;<\/strong><\/p>\n<p><strong>Magnus Hjorth, <\/strong>piano ;<\/p>\n<p><strong>Jan Harbeck, saxophone.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Didier Pennequin<\/strong>, membre de l&rsquo;Acad\u00e9mie du Jazz tient le blog, <a href=\"https:\/\/jazz-gazette.com\"><strong>Jazz Gazette<\/strong><\/a><\/p>\n<p><strong>Photo Header \u00a9Couleurs Jazz\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Swing nordique. Alors que beaucoup de repr\u00e9sentant(e)s de la nouvelle g\u00e9n\u00e9ration de jazzmen\/women se battent pour toujours plus d&rsquo;originalit\u00e9, jusqu&rsquo;\u00e0 r\u00e9p\u00e9ter \u00e0 l&rsquo;infini une musique sans int\u00e9r\u00eat, Snorre Kirk a&#8230;<\/p>\n","protected":false},"author":46,"featured_media":31259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[5618,5619,3468,3469,3465,4566],"class_list":{"0":"post-31263","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-anders-fjeldsted-fr","11":"tag-going-up-fr","12":"tag-jan-harbeck-fr","13":"tag-magnus-hjorth-fr","14":"tag-snorre-kirk-fr","15":"tag-stephen-riley-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/31263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=31263"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/31263\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/31259"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=31263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=31263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=31263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}