{"id":31234,"date":"2021-05-08T07:32:38","date_gmt":"2021-05-08T06:32:38","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=31234"},"modified":"2021-05-08T07:31:56","modified_gmt":"2021-05-08T06:31:56","slug":"escoms-devard-ebster-trio-sweet-lorraine","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/escoms-devard-ebster-trio-sweet-lorraine\/","title":{"rendered":"ESCOMS  DEVARD  EBSTER  TRIO &#8211; SWEET LORRAINE"},"content":{"rendered":"<h3>Des standards, encore des standards, et il pleut encore des revisit\u00e9s direz-vous. \u00ab\u00a0<em>On les conna\u00eet par c\u0153ur\u00a0<\/em>!\u00a0\u00bb, are you sure\u00a0? Bien apr\u00e8s avoir \u00e9cout\u00e9 ce trio dont on ne parle jamais, vous pourriez peut-\u00eatre changer d\u2019avis&#8230;<\/h3>\n<p>D\u2019abord, des trios piano, guitare, contrebasse, \u00e7a se fait rare de nos temps. On imagine rapidement qui m\u00e8ne la danse flanqu\u00e9e de deux accompagnateurs r\u00e9solus. Et c\u2019est pr\u00e9cis\u00e9ment l\u00e0 que figure la valeur de cet enregistrement, de leader il n\u2019y en a point\u00a0! On parle alors d\u2019un vrai trio, un \u00e9change d\u2019interlocuteurs dont aucun ne d\u00e9tient l\u2019ultime parole.<\/p>\n<p><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/05\/Stephane_ESCOMS-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-31230\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/05\/Stephane_ESCOMS-4.jpg\" alt=\"\" width=\"900\" height=\"1031\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/05\/Stephane_ESCOMS-4.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/05\/Stephane_ESCOMS-4-262x300.jpg 262w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/05\/Stephane_ESCOMS-4-894x1024.jpg 894w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2021\/05\/Stephane_ESCOMS-4-768x880.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<p>Avec sur chaque plage, des couleurs diff\u00e9rentes et des tonalit\u00e9s qui s\u2019\u00e9changent, comme si les instruments s\u2019\u00e9changeaient eux-m\u00eames. Qui du piano, de la guitare ou de la contrebasse\u00a0? Soliste et accompagnateur, soutien et premier-de-cord\u00e9e en m\u00eame temps. Ecoutez \u00ab\u00a0<em>Estate<\/em>\u00ab\u00a0, petite chanson italienne des ann\u00e9es 1960 ou encore la sublime version de \u00ab\u00a0<em>On Green Dolphin Street<\/em>\u00a0\u00bb o\u00f9 aucun ne tire la couverture \u00e0 soi. On est pris au d\u00e9pourvu aux d\u00e9tours des changements de chorus intelligemment orchestr\u00e9s sans jamais rompre la m\u00e9lodie.<\/p>\n<p><iframe loading=\"lazy\" title=\"Sweet Lorraine Escoms Devard Ebster Trio\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/FWtELLaMEEs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Bien s\u00fbr, on y trouve \u00ab\u00a0<em>My Romance\u00a0\u00bb, \u00ab\u00a0Girl talk\u00a0\u00bb, \u00ab\u00a0Stella by Starlight\u00a0\u00bb, \u00ab\u00a0You Go to my Head<\/em>\u00a0\u00bb et bien d\u2019autres, toutes enrubann\u00e9es d\u2019une sarabande instrumentale faite de croisements subtils entre touches et cordes. Le chant reconnaissable de ces immortels standards vient alors aux l\u00e8vres et l\u2019on se pla\u00eet \u00e0 en susurrer quelques passages avant que de rendre au silence son incomparable hommage \u00e0 une \u00e9coute surprenante face \u00e0 ces sautes d\u2019humour dans la fa\u00e7on d\u2019interpr\u00e9ter ces ritournelles bleues.<\/p>\n<p>En musique classique, on aurait facilement appel\u00e9 cela des petites pi\u00e8ces. Elles trouvent ici toutes leur originalit\u00e9 malgr\u00e9 leur mondiale renomm\u00e9e tant elles sont ici magnifi\u00e9es par des concertos de doigts qui provoquent la tradition pour la renouveler.<\/p>\n<h3>Petites pi\u00e8ces, non. De tr\u00e8s brillantes interpr\u00e9tations, de la revisite \u00e0 la premi\u00e8re visite.<\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5pZd5trkkETOzo6EMBqTMF\" width=\"100%\" height=\"480\" frameborder=\"0\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Personnel\u00a0:<\/p>\n<p><strong>St\u00e9phane Escoms<\/strong>\u00a0\u2013 piano<\/p>\n<p><strong>Michel Devard<\/strong> \u2013 guitare<\/p>\n<p><strong>Bernhard Ebster\u00a0<\/strong>\u2013 contrebasse<\/p>\n<p><strong>Photo \u00a9Maxime Perrotey<\/strong><\/p>\n<p><strong>Distribu\u00e9 par Claviers &amp; Crayons &#8211; 2021<\/strong><\/p>\n<p><strong>Cr\u00e9ation graphique pochette : \u00a9 Philippe Sponne<\/strong><\/p>\n<p><strong>R\u00e9alisation Vid\u00e9o \u00a9Romain Garnier<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Des standards, encore des standards, et il pleut encore des revisit\u00e9s direz-vous. \u00ab\u00a0On les conna\u00eet par c\u0153ur\u00a0!\u00a0\u00bb, are you sure\u00a0? Bien apr\u00e8s avoir \u00e9cout\u00e9 ce trio dont on ne parle&#8230;<\/p>\n","protected":false},"author":132,"featured_media":31227,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202],"tags":[5614,5329,5613,5612],"class_list":{"0":"post-31234","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"tag-bernhard-ebster-fr","10":"tag-gerswhin-playground","11":"tag-michel-devard-fr","12":"tag-stephane-escoms-fr"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/31234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/132"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=31234"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/31234\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/31227"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=31234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=31234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=31234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}