{"id":27497,"date":"2019-11-05T17:01:10","date_gmt":"2019-11-05T16:01:10","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=27497"},"modified":"2019-11-05T17:01:10","modified_gmt":"2019-11-05T16:01:10","slug":"pinktown-quintet","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/pinktown-quintet\/","title":{"rendered":"Pinktown Quintet"},"content":{"rendered":"<h3>Pinktown quintet. Le quintet de la ville rose. Traduction facile et pourtant \u00e9ponyme de la formation conduite par Philippe L\u00e9og\u00e9.<\/h3>\n<p>Qui se souvient du <strong>Big Band 31<\/strong> sous la baguette de celui\u2013l\u00e0 m\u00eame qui pr\u00e9side aux destin\u00e9es de ce quintet.<\/p>\n<p>Apr\u00e8s la p\u00e9riode arrangement, orchestration et piano solo, le voici \u00e0 nouveau \u00e0 la t\u00eate d\u2019un quintet hard bop qui sonne tr\u00e8s am\u00e9ricain. Normal apr\u00e8s tout pour des Nougayork boys.<\/p>\n<p>Une affaire de famille puisqu\u2019on retrouve ses deux fils dans le line-up.<\/p>\n<p><iframe loading=\"lazy\" title=\"Gre\u0301gory is here - Pinktown 5 tet - Studio Ma Ferme\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/jDqGbHad4vE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Un enregistrement qui navigue entre bop de soigneuse tenue (<em>The Squirrel Blues<\/em>) et atmosph\u00e8re plus d\u00e9licate d\u2019un jazz aux accents parfois Debussyen (<em>Dolphin Dance<\/em>) et qui laisse sa place aux intervenants comme un leadership partag\u00e9. A noter les tr\u00e8s justes et ac\u00e9r\u00e9es interventions des souffleurs.<\/p>\n<p>Avec une rythmique omnipr\u00e9sente et plus qu\u2019assurante et un piano qui tisse une toile volubile mais sachant rester charnelle, voil\u00e0 le nouveau quintet fran\u00e7ais n\u00e9o-bop qu\u2019il ne faut surtout pas m\u00e9sestimer et encore moins rater.<\/p>\n<p>Un jazz aux bords de Garonne teint\u00e9 d\u2019East River flamboyant comme les block chords de <strong>L\u00e9og\u00e9<\/strong> sur \u00ab\u00a0<em>Ecaroh<\/em>\u00a0\u00bb et les reprises cuivr\u00e9es qui font par instant penser \u00e0 la signature du Jazztet de Golson.<\/p>\n<p>Mention sp\u00e9ciale pour les m\u00e9andres volutiques de la trompette sur \u00ab\u00a0<em>A Ray of Sunshine from Tenerife<\/em>\u00ab\u00a0.<\/p>\n<p>Interpr\u00e8tes :<\/p>\n<p><strong>Philippe L\u00e9og\u00e9<\/strong>, piano<\/p>\n<p><strong>Adrien Dumont<\/strong>, trompette et bugle<\/p>\n<p><strong>Alessandro Torsiello<\/strong>, saxophone tenor<\/p>\n<p><strong>Denis L\u00e9og\u00e9<\/strong>, contrebasse<\/p>\n<p><strong>Jordi L\u00e9og\u00e9<\/strong>, batterie.<\/p>\n<p><strong>Pinktown 5tet<\/strong> est un album <strong>Klarthe Records<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pinktown quintet. Le quintet de la ville rose. Traduction facile et pourtant \u00e9ponyme de la formation conduite par Philippe L\u00e9og\u00e9. Qui se souvient du Big Band 31 sous la baguette&#8230;<\/p>\n","protected":false},"author":132,"featured_media":27499,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202],"tags":[4398,4397,4399,4400,4396,4395],"class_list":{"0":"post-27497","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"tag-adrien-dumont","10":"tag-alessandro-torsiello","11":"tag-denis-leoge","12":"tag-jordi-leoge","13":"tag-philippe-leoge","14":"tag-pinktown-quintet"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/27497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/132"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=27497"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/27497\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/27499"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=27497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=27497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=27497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}