{"id":16734,"date":"2018-12-01T17:28:59","date_gmt":"2018-12-01T16:28:59","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=16734"},"modified":"2018-12-01T17:31:02","modified_gmt":"2018-12-01T16:31:02","slug":"umlaut-big-band-the-king-of-bungle-bar","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/umlaut-big-band-the-king-of-bungle-bar\/","title":{"rendered":"Umlaut Big Band &#8211; The King of Bungle Bar&#8230;"},"content":{"rendered":"<h3>\u00ab\u00a0The King of Bungle Bar, Umlaut Big Band Plays Don Redman\u00a0\u00bb<\/h3>\n<h3>M\u00eame si la critique ne lui a pas toujours rendu justice, le saxophoniste et chef d&rsquo;orchestre Don Redman figure parmi les grands arrangeurs de l&rsquo;histoire du jazz.<\/h3>\n<p><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman_collage-c-N.Benziane.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16474\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman_collage-c-N.Benziane.jpg\" alt=\"\" width=\"900\" height=\"675\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman_collage-c-N.Benziane.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman_collage-c-N.Benziane-300x225.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman_collage-c-N.Benziane-768x576.jpg 768w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman_collage-c-N.Benziane-800x600.jpg 800w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a>Il suffit, pour s&rsquo;en persuader, de lire la rubrique que lui a consacr\u00e9e <strong>Philippe Baudouin\u00a0<\/strong>dans <em>Le Nouveau Dictionnaire du Jazz<\/em>, \u00e9dit\u00e9 chez Robert Laffont. Y figure la longue liste des innovations apport\u00e9es par le \u00ab\u00a0<em>Little Giant of Jazz<\/em>\u00a0\u00bb dans le domaine de l&rsquo;arrangement pour le plus grand bonheur des formations de <strong>Fletcher Henderson, Paul Whiteman, Cab Calloway, Jimmy Dorsey <\/strong>et <strong>Count Basie<\/strong>, sans oublier son propre orchestre.<\/p>\n<p>Cette initiative de <strong>Pierre-Antoine Badaroux<\/strong>, le chef de <strong>l&rsquo;Umlaut Big Band<\/strong>, de redonner vie \u00e0 la musique de <strong>Don Redman\u00a0<\/strong>en puisant vingt-huit titres dans son r\u00e9pertoire est donc \u00e0 saluer.<\/p>\n<p>Certaines pi\u00e8ces s\u00e9lectionn\u00e9es sont des classiques (<em>Sugar Foot Stomp<\/em>), d&rsquo;autres des in\u00e9dits provenant des archives de la New York Public Library (<em>Frantic<\/em><em>Atlantic<\/em>).<\/p>\n<p><iframe loading=\"lazy\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/c4EylrCuigg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Ce projet repr\u00e9sente un travail \u00e9norme car il a fallu transcrire, adapter et parfois reconstruire les partitions choisies.<\/p>\n<p>Jouant habituellement dans des ensembles de musiques improvis\u00e9es contemporaines, les quatorze musiciens de <strong>l&rsquo;Umlaut Big Band<\/strong>, bien que n&rsquo;\u00e9tant pas au d\u00e9part des sp\u00e9cialistes du jazz des ann\u00e9es vingt et trente, ont su livrer l&rsquo;essentiel de l&rsquo;esprit de cette belle musique en \u00e9tablissant un lien fort entre pass\u00e9 et avenir, tradition et cr\u00e9ation.<\/p>\n<p>Cette entreprise m\u00e9rite donc toutes nos f\u00e9licitations pour sa valeur patrimoniale et son int\u00e9r\u00eat musical.<\/p>\n<div id=\"attachment_16479\" style=\"width: 910px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman-c-Nicolas-Roger.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16479\" class=\"size-full wp-image-16479\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman-c-Nicolas-Roger.jpg\" alt=\"\" width=\"900\" height=\"600\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman-c-Nicolas-Roger.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman-c-Nicolas-Roger-300x200.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/12\/photo_UMLAUTBIGBAND_CD-Redman-c-Nicolas-Roger-768x512.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><p id=\"caption-attachment-16479\" class=\"wp-caption-text\">\u00a9Photo Nicolas Roger<\/p><\/div>\n<p><strong>Line up<\/strong> :<\/p>\n<p><strong>Pierre-Antoine Badaroux,\u00a0<\/strong>direction, saxophone alto ;<\/p>\n<p><strong>Antonin-Tri Hoang,<\/strong>\u00a0saxophone alto, clarinette, clarinette basse ;<\/p>\n<p><strong> Geoffroy Gesser<\/strong>, saxophones t\u00e9nor &amp; soprano, clarinette ;<\/p>\n<p><strong>Pierre Borel,<\/strong>\u00a0saxophone t\u00e9nor, clarinette ;<\/p>\n<p><strong>Benjamin Dousteyssier,<\/strong>\u00a0saxophones alto, baryton &amp; basse ;<\/p>\n<p><strong>Brice Pichard<\/strong>, <strong>Louis Laurain<\/strong>, <strong>Emil Strandberg<\/strong>, trompettes ;<\/p>\n<p><strong>Fidel Fourneyron, Micha\u00ebl Ballue,<\/strong>\u00a0trombones ;<\/p>\n<p><strong>Romain Vuillemin<\/strong>, guitare, banjo ;<\/p>\n<p><strong>Bruno Ruder,\u00a0<\/strong>piano ;<\/p>\n<p><strong>S\u00e9bastien Beliah,\u00a0<\/strong>contrebasse ;<\/p>\n<p><strong>Antonin Gerbal,<\/strong>\u00a0batterie ;<\/p>\n<p>Enregistr\u00e9 en public au <strong>Lavoir Moderne Parisien<\/strong>, les 19, 20 et 21 avril 2018<\/p>\n<p>\u00a9Photo Header : Rebecca Moon<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0The King of Bungle Bar, Umlaut Big Band Plays Don Redman\u00a0\u00bb M\u00eame si la critique ne lui a pas toujours rendu justice, le saxophoniste et chef d&rsquo;orchestre Don Redman figure&#8230;<\/p>\n","protected":false},"author":84,"featured_media":16473,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[3807,3805,3804],"class_list":{"0":"post-16734","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-pierre-antoine-badaroux","11":"tag-the-king-of-bungle-bar","12":"tag-umlaut-big-band"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/16734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/84"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=16734"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/16734\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/16473"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=16734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=16734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=16734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}