{"id":12275,"date":"2018-11-26T18:09:30","date_gmt":"2018-11-26T17:09:30","guid":{"rendered":"https:\/\/couleursjazz.fr\/?p=12275"},"modified":"2019-08-28T11:26:10","modified_gmt":"2019-08-28T10:26:10","slug":"champian-fulton-the-stylings-of-champian","status":"publish","type":"post","link":"https:\/\/couleursjazz.fr\/fr\/champian-fulton-the-stylings-of-champian\/","title":{"rendered":"Champian Fulton \u2013 \u00ab The Stylings of Champian \u00bb"},"content":{"rendered":"<h3>Sacr\u00e9e \u00ab\u00a0\u00e9toile montante du jazz vocal\u00a0\u00bb par les critiques du magazine Downbeat (2013 et 2014) et d\u00e9sign\u00e9e comme la \u00ab\u00a0voix f\u00e9minine de l&rsquo;ann\u00e9e\u00a0\u00bb au cours de la Hot House Jazz Magazine Award Ceremony (2017), <strong>Champian Fulton\u00a0<\/strong>poursuit une trajectoire ascendante comme le confirme son dernier disque intitul\u00e9 \u00ab\u00a0<strong><em>The Stylings of Champian<\/em><\/strong>\u00ab\u00a0.<\/h3>\n<p>Inspir\u00e9e \u00e0 l&rsquo;origine par <strong>Dinah Washington<\/strong>, dont elle \u00e9coutait en boucle le recueil \u00ab\u00a0<em>For Those in Love<\/em>\u00ab\u00a0, puis par <strong>Sarah Vaughan<\/strong>et <strong>Billie Holiday<\/strong>,<strong>Champian Fulton\u00a0<\/strong>poss\u00e8de maintenant une identit\u00e9 vocale propre.<\/p>\n<p><iframe loading=\"lazy\" title=\"Isn&#039;t It a Lovely Day (The Stylings of Champian 2018)\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/3_LhD1nAJ8E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Une voix \u00e0 la fra\u00eecheur juv\u00e9nile et un phras\u00e9 parfaitement ma\u00eetris\u00e9 lui permettent de d\u00e9velopper avec naturel une ligne de chant d&rsquo;une belle envergure. Ceci est particuli\u00e8rement apparent dans sa fa\u00e7on de d\u00e9tailler avec un sens consomm\u00e9 de l&rsquo;interpr\u00e9tation et une maturit\u00e9 artistique \u00e9vidente la m\u00e9lodie de <em>Darn That Dream<\/em>prise sur tempo lent. Plus qu&rsquo;un compl\u00e9ment bienvenu de son chant, son jeu de piano \u00e9nergique swingue avec naturel et brio.<\/p>\n<p>Visiblement,\u00a0<strong>Champian Fulton\u00a0<\/strong>a tir\u00e9 le meilleur parti de l&rsquo;\u00e9coute des grands ma\u00eetres du clavier que sont <strong>Bud Powell, Red Garland, Wynton Kelly <\/strong>et<strong>Erroll Garner<\/strong>. Ses accompagnateurs, <strong>Hide Tanaka\u00a0<\/strong>(contrebasse), <strong>Fukushi Tainaka\u00a0<\/strong>(batterie) et <strong>Stephen Fulton\u00a0<\/strong>(bugle), ce dernier sur quelques titres, effectuent un travail remarquable.<\/p>\n<div id=\"attachment_12271\" style=\"width: 910px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/11\/CHAMPIAN-FULTON.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12271\" class=\"size-full wp-image-12271\" src=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/11\/CHAMPIAN-FULTON.jpg\" alt=\"\" width=\"900\" height=\"589\" srcset=\"https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/11\/CHAMPIAN-FULTON.jpg 900w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/11\/CHAMPIAN-FULTON-300x196.jpg 300w, https:\/\/couleursjazz.fr\/wp-content\/uploads\/2018\/11\/CHAMPIAN-FULTON-768x503.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><p id=\"caption-attachment-12271\" class=\"wp-caption-text\">\u00a9Photo Antonio<\/p><\/div>\n<p>Elle se produira <strong>le 20 d\u00e9cembre prochain \u00e0 Villejuif<\/strong> avec le Tentet de <strong>Gilles Naturel,\u00a0<\/strong>dans un hommage \u00e0 <strong>George Gershwin<\/strong>. Une soir\u00e9e \u00e0 ne pas manquer\u00a0!<\/p>\n<p><strong>2 CD Champian Records \u00e0 \u00e9couter tout de suite:<\/strong><\/p>\n<p><iframe loading=\"lazy\" style=\"width: 100%;\" src=\"https:\/\/play.soundsgood.co\/embed\/5bfc275622f5f322e5d8d4e7?\" width=\"100%\" height=\"850\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sacr\u00e9e \u00ab\u00a0\u00e9toile montante du jazz vocal\u00a0\u00bb par les critiques du magazine Downbeat (2013 et 2014) et d\u00e9sign\u00e9e comme la \u00ab\u00a0voix f\u00e9minine de l&rsquo;ann\u00e9e\u00a0\u00bb au cours de la Hot House Jazz&#8230;<\/p>\n","protected":false},"author":84,"featured_media":12270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,202,969],"tags":[3802,3803],"class_list":{"0":"post-12275","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-dans-les-bacs","9":"category-hits-couleurs-jazz","10":"tag-champian-fulton","11":"tag-the-stylings-of-champian"},"acf":[],"_links":{"self":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/12275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/users\/84"}],"replies":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/comments?post=12275"}],"version-history":[{"count":0,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/posts\/12275\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media\/12270"}],"wp:attachment":[{"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/media?parent=12275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/categories?post=12275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/couleursjazz.fr\/fr\/wp-json\/wp\/v2\/tags?post=12275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}